Luis

[Luis @infinityluiss]

Have you ever taken a Punch before ? ( Circa 2022 )

[Wrestling Pics & Clips @WrestleClips]

That time Booker T randomly pulled off a Scissors Kick on The Big Show on the freaking announce table.

[DiscussingFilm @DiscussingFilm]

Dave Bautista shows off his training to play Kratos in the live-action ‘GOD OF WAR’ series.

“3rd week in to weight training again. 2 more months to get to where I need to be. Like ridin a bike! LFG!”

[Ahmed/The Ears/IG: BigBizTheGod 🇸🇴 @big_business_]

STING was about to climb the ladder but his son told him don’t worry I got it as a passing the torch moment

#AEWALLIN

[Luis @infinityluiss]

PETER CULLEN THANK YOU

[O’Shea Jackson Jr @OsheaJacksonJr]

Dawg…

[Luis @infinityluiss]

I don’t know how to feel about this Man

[DiscussingFilm @DiscussingFilm]

Dave Bautista has been officially cast as Kratos in the live-action ‘GOD OF WAR’ series.

[Luis @infinityluiss]

This was awesome

[CinXperience @CinXperience]

Joe & Anthony Russo’s Foreword for the Marvel Premier Collection release of Jonathan Hickman's 'AVENGERS: TIME RUNS OUT':

“We grew up in Cleveland, in an old, ethnic neighborhood that felt like something out of a fairy tale. Our world was pretty small, but the comics we found didn't feel that way. We'd pick them up from drugstores and corner shops - sometimes out of order, sometimes years apart - and we read them until they were barely holding together. They were surprising and rich with ideas that gained more meaning as we got older, and they opened up worlds that felt bigger, stranger and more honest than anything around us.

Secret Wars spoke to us in that same way. Jonathan Hickman created a story that felt enormous but also incredibly personal. It followed a universe pushed to the edge and asked a simple question that carried real weight: What remains when everything else falls apart?

When we joined Marvel Studios for The Winter Soldier, we had no idea where the journey would take us, only that we wanted to tell the best story we could. Our focus was to tell a story rooted in feeling and grounded in truth, and as our work expanded through Civil War, Infinity War and Endgame, the canvas grew, but the emotional center stayed close.

Hickman's work reminded us that the heart of any epic story lives in the people trying to survive it.

And then there is Doom.

Doom is not just an adversary. He is ambition and fear woven together. In Secret Wars, he tries to hold reality in place through sheer will. He believes he can save everything if he controls enough of it. Hickman reveals the strain behind that effort and the human fragility beneath the armor. Even someone who can reshape existence cannot escape the emotions that define him.

We have always been drawn to characters who walk that line. People who reach for something noble and lose themselves along the way. Sometimes, destruction does not arrive as a single blow. It arrives through decisions made in uncertainty and through fractures between people who want the same thing but cannot find their way to each other. That is its own kind of ending. It is quiet, painful and incredibly human.

In Time Runs Out, one of the most striking elements is how the world begins to slip. It is not a dramatic explosion. It is fear. It is compromise. It is the slow erosion of trust among people who care deeply and still cannot prevent the fall. Stories like that linger. They ask us to look at who we become when pressure shapes every choice.

Over the past decade, we have worked on stories that pulled us into extraordinary spaces. We have followed soldiers, spies, cosmic beings and everyday people who shoulder impossible burdens. Through all of it, one truth has stayed with us. Scale only matters when it is anchored in sincerity.

Secret Wars carries that sincerity through every page. It turns the end of everything into a story about identity, hope and the cost of wanting to save something larger than yourself.

We are still those kids from Cleveland who opened comic books and felt the world expand. The medium changed for us, but the sense of wonder never left. And, yes, we enjoy blowing up a building or two on screen, but books like this remind us why we fell in love with storytelling in the first place.”

Joe & Anthony Russo
2026

[Luis @infinityluiss]

@TRON_x99 @felixupton_ I absolutely would be doing this too as a wrestler lol

[Luis @infinityluiss]

@Inferniom @pastocortado1 @SinnyBd I’m assuming they’ll try to convince him to leave with them? Along with his family but you know. Great responsibility and all won’t let him

[👑ℂℍ𝔸𝕆𝕊𝕂𝕀𝔻👑 @DatChaosGuy]

“So who’s gonna play Gambit?”

[Luis @infinityluiss]

YEAHHH

[DiscussingFilm @DiscussingFilm]

Adam Driver has been cast as Mr Sinister in ‘X-MEN’.

In theaters on May 5, 2028.

[Luis @infinityluiss]

WHAAAAAAT

[DiscussingFilm @DiscussingFilm]

Inde Navarette has been cast as Rogue in ‘X-MEN’.

In theaters on May 5, 2028.

[Luis @infinityluiss]

I think about @AbbyKMTR_13 ‘s MJ & Spider-Man Eyes Without A Face edit all the time

[Luis @infinityluiss]

@Caleb_witts @djodjeee_ Is that your picture? The first one looks so so cool

[Luis @infinityluiss]

So awesome #SpiderManBrandNewDay  #InsomGamesCommunity

[Luis @infinityluiss]

@NavoSchmavo I was expecting spectacular Spider-Man levels of importance lol but I guess he is introduced already , so he can always be brought back like scorpion

[Luis @infinityluiss]

This musical buildup in Brand New Day NEEDS to stick around IT’S AWESOME RIGHT BEFORE HE SWINGS IN. THANK YOU @m_giacchino

[Luis @infinityluiss]

New York I envy your beauty and ruckus

[Luis @infinityluiss]

Chad Gable to the main event scene please