📢 Issue 10.1 is now out! Featuring articles on Australian fashion sustainability research, Russian fashion magazines, fashion image captions and trend forecasting, an essay on dressing the disabled self, and loads of new reviews...! https://t.co/MKTUYwYkPQ
Announcing the launch of 'Global Africa', a new research group at Amsterdam School for Cultural Analysis, @UvA_Amsterdam The first event is 21/09/23, contact [email protected] for further details on how to attend in person or online!
⚡️CFP for researchers and practitioners wishing to contribute to a Special Issue of The Fashion Studies Journal on Fashion and South-East Asia. More details here: https://t.co/dUkSbOJRjy ⚡️
⚡️CFP for researchers and practitioners wishing to contribute to a Special Issue of The Fashion Studies Journal on Fashion and South-East Asia. More details here: https://t.co/dUkSbOJRjy ⚡️
‘The Fashioned Body’ provides a comprehensive, up-to-date overview of the literature on #fashion and current debates concerning the #fashion industry. Accessible and critical, it is an essential read for U/G, P/G and scholars of fashion
📢 Issue 10.1 is now out! Featuring articles on Australian fashion sustainability research, Russian fashion magazines, fashion image captions and trend forecasting, an essay on dressing the disabled self, and loads of new reviews...! https://t.co/MKTUYwYkPQ
Our latest issue 10.1 also features reviews of @MADmuseum exhibition ‘Garmenting: Costume as Contemporary Art’ and books by #AshleyMears @beckyhalliday and @leliapacker and #AshokRoy https://t.co/MKTUYwYkPQ
“Dressing became an obstacle to being able to be in the external world, a performance of invisibility to dissolve the selves that rendered me so abnormal, both politically and medically, and a touchstone of a prior and better existence.”
In her visual essay, Nica Cornell reflects on the interplay of dress, disability and disguise: “The physical realities of living in my new body fundamentally changed not only how I dressed it, but my relationship with dress itself." https://t.co/2NxVl6cKao
What are the current challenges in fashion trend forecasting? Clarice Carvalho Garcia identifies three key challenges & critiques the field's tendency to flatten rather than “communicate the complexity of cultural shifts in all their... nuances & details” https://t.co/KdAWIrTdiH
Ira Solomatina analyses the discourses of 'new ethics' in #VogueRussia and #TheBlueprint How did these publications negotiate discourses of inclusivity, diversity and sustainability in light of the Russian state's emphasis on 'traditional values'? https://t.co/380SdnRWrZ
The authors propose a new methodology for analysing these fashion paratexts, and introduce the Fashion Paratext Dataset, “an open dataset of fashion captions”, to centre the peripheral in fashion media through data science research.
FUSE GIRLISH INNOCENCE WITH GROWN_UP ALLURE. Gardner, De Vries and McNaught invite us to attend to the often-overlooked fashion caption: how do they mediate our relationship to clothing? Read here: https://t.co/nAuWKfa5Qm
Excited to share that my exhibition review of last year's Garmenting: Costume as Contemporary Art, at NY's Museum of Arts and Design, was published in the latest issue of @infs_journal! Much thanks to editor @fashademic for your thoughtful edits.
#exhibitionreview
Retamal et al. explore Australian research into fashion sustainability between 2010–20, seeking to develop a research agenda to support collaboration and help drive change towards 2030 https://t.co/JswbIYPuaW
#sustainablefashion#australianfashion#fashionstudies
📢 Issue 10.1 is now out! Featuring articles on Australian fashion sustainability research, Russian fashion magazines, fashion image captions and trend forecasting, an essay on dressing the disabled self, and loads of new reviews...! https://t.co/MKTUYwYkPQ