👑✨ Two Parishes, Two Queens, One Unforgettable Night! 🇯🇲
The countdown is ON for the Miss Universe Jamaica Grand Coronation!
Get ready for an evening of pure elegance, grace, and glamour as we crown our new queens for St. James and Trelawny. This is the event of the summer you do NOT want to miss! 💃💎
🗓️ Save the Date:
June 28, 2026
📍 Venue:
Rose Hall Great House, St. James
🎟️ Get Your Tickets NOW:
Believe it or not, the Chairman's Penthouse wasn't named after me. It was named after my incredible father, Gordon "Butch" Stewart, and it is big enough to match his vision and personality.
@Drake The visual identity of this triple release is as distinct as the music itself. Each cover reflects the specific mood of the album:
• Iceman: Features a stark, minimalist aesthetic with cool blue and white tones, capturing the calculated and sharp energy of the project.
• Habibti: Uses a warmer, more vibrant palette with rich textures, reflecting the international and melodic influence of the tracklist.
• Maid of Honour: A deeply personal choice, utilizing a vintage-style portrait that highlights his family roots and personal legacy.
@Drake The visual identity of this triple release is as distinct as the music itself. Each cover reflects the specific mood of the album:
• Iceman: Features a stark, minimalist aesthetic with cool blue and white tones, capturing the calculated and sharp energy of the project.
• Habibti: Uses a warmer, more vibrant palette with rich textures, reflecting the international and melodic influence of the tracklist.
• Maid of Honour: A deeply personal choice, utilizing a vintage-style portrait that highlights his family roots and personal legacy.
A lot of people don’t know this!
In « Money », Michael Jackson slips a list of power figures into the background vocals… including Donald Trump:
“You want it, then earn it with dignity…
Vanderbilt… Morgan… Trump… Rockefeller… Carnegie…
Get it, get it, get it…”
« Money » is one of Michael Jackson’s most pointed critiques of power and profit.
The theme of the song is that the obsessive love of money and power is the root of all evil.
Built on a hard, industrial groove, the song speaks in the voice of a ruthless operator who treats people as transactions
“anything, anything for money”
then flips that persona into a warning about what that mindset costs.
Written in the mid-’90s, it reflects Jackson’s battles with the press and the commodification of his image, but it also widens the lens to a system where influence, media narratives, and wealth reinforce each other.
The whispered roll call of tycoons in the backing vocals (Vanderbilt, Morgan, Trump, Rockefeller, Carnegie) isn’t just name-dropping, it’s a symbol of legacy power and how fortunes shape reality.
In one line: “Money” exposes how the chase for wealth can bend truth, control perception, and ultimately dehumanize both the buyer and the bought.
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