@tostospal There's so many incredible artists on the hellaverse fandom here (I'd know.. had a phase 2 years ago huhu) would be so cool to see you join them!
@natminuszero Just goes to show no matter how great you become at something some rando can still call you mid and have people agree with them 😭 so fucking ridiculous lmfao
@hjp780@satellteoflove If you don't like them & even think they objectively suck you're not anti art, just dismissing their unanimously praised discography. What has much more value is their contribution to music & studio innovation so I think dismissing this would be heading towards the anti art road.
@hjp780@satellteoflove They act like its a good band bc it was. Esp as a live act that then ascended in the studio. From simpler yet well performed tunes in their debut when they were barely 20 to incredible innovative studio work in the span of less than a decade back to back year after year
@hjp780@satellteoflove Debut (1963): well performed pop tunes, standard for the time w some innovative sound that put them on the map.
Revolver (1966): theyve already become huge in the industry for their chords harmonies and songwriting but here and after is where their creative legacy truly starts