"Our arts funding structures are split into two tiers, and one of them gets much more money". Duncan Graham deep dives into the two-tier federal funding structure and asks if it threatens our artistic future.
https://t.co/q1tyG6kxmL
We welcome Tessa Leong as the incoming Manager, Artist and Sector Development here at TNA. In these strange and uncertain times, a lot of care is needed for the sector. And we are confident that Tessa is the addition to the TNA team we need right now <3
https://t.co/e48zdmM53A
‘I realised I was shocked to hear women in roles this big, ugly and bombastic – they have so rarely been afforded this kind of space’: @noplain on an anarchic three-woman production of David Williamson’s The Club at the @StateTheatreSA
https://t.co/Qwgj5KMy8X
The changing of the tides...Or the bringing of a new normal? @noplain + @deejefferson ask the hard questions. An honour to be amongst these talented ranks! https://t.co/zekjGyvt5S
Serious and silly, the @StateTheatreSA and @KOJOworld’s reimagining of The Club is a must-see for lovers and haters of #football alike 🏈🏈
https://t.co/g0sGpciDzL
my first piece for @AdelaideReview is this month's cover story: on local theatre company isthisyours? feminist reinvention of david williamson's the club https://t.co/DalZWO3uyz
I have NEVER seen anything like this before. Yes, that deserves caps. Risky, rebellious and completely realistic in ways that were unexpected. Social commentary made by Eddie McGuire’s Hair. We’re playing a man’s game now. @StateTheatreSA
and though we all
would like
to thank you
for humouring us
on this special day
we also need you
to stop killing us
the dishes done
and equal pay
#InternationalWomensDay2019
Tessa doing this one! Truth or Consequences, where slime meets confetti meets hula hoops... Hello There We've Been Waiting For You by the excellent Louris van de Geer