Ay taray may pa special treatment naman pala. Sana all. Di ba unfair to para sa ibang gumastos ng 13k at nakipaglaban sa presale tapos papaunahin nyo lang din naman pala sya sa unahan? Tapos ivivideo nya yung concert? Diba bawal din yon?
Unfair yung gusto nyo mangyari. Tsk3.
@waleazlz@museika@imszmc Itong troll na to apaka sipag. Mag papasko na kasi noh? Hahahahahahaahhahaa may quota ka ba?
Also, wala namang sinabing atin si P. Ang hina naman ng comprehension neto🤦🏾♀️
@txpilgrim HAHHAHAHA I read it and very simple na nga yung approach mo. Kaso parang di talaga nila iaaccept kasi iba na talaga nakaset sa isipan nila 😅
“Kahiya, 2 days sa Summer Sonic pumiyok?”
Actually, I think you’re unintentionally making the opposite point.
A voice crack during a genuinely live performance, especially in the middle of a schedule involving rehearsals, travel, back-to-back shows, dancing, rapping, belting, and sustained live singing, is not evidence that somebody cannot sing. It is evidence that there is an actual human voice being put under real performance demands.
That distinction matters.
Live singing carries risk. The more exposed the vocal is, the more exposed the performer is to every tiny imperfection: a breath that lands differently, fatigue, dehydration, a difficult transition between registers, a note attacked a fraction differently, or simply a vocal fold that does not behave exactly as it did yesterday. Professional singers train precisely because they are trying to manage those variables, not because training magically makes human physiology disappear.
There is actually research on professional singers showing that heavy vocal load can temporarily affect vocal function, with effects of particularly heavy loading sometimes still perceptible 24 to 72 hours later. So two demanding festival performances on consecutive days don’t make the occasional crack more scandalous. They provide the context for why it can happen.
And this is exactly why many large-scale productions build safeguards around performers: backing vocals, tracks, strategic arrangements, shared lines, modified keys, or moments where the singer can conserve his voice. There is nothing inherently wrong with any of those choices. They are tools. But when an artist chooses to sing extensively live, he also accepts something else: you are going to hear the humanity of the instrument.
That’s the bargain.
If Pablo were routinely unable to carry a melody, consistently off-pitch, incapable of sustaining his parts, or repeatedly failing across performances, that would be evidence worth discussing. But isolating a voice crack from years of documented live performances and treating it as proof that he cannot sing is simply bad reasoning. You don’t evaluate a singer from his worst two seconds any more than you evaluate an athlete from one missed shot.
And if we’re going to evaluate Pablo, then evaluate the whole body of work.
This is a singer-songwriter, rapper, producer, and composer who has been named Wish Music Awards Artist of the Year, repeatedly recognized as Composer of the Year, included among FILSCAP’s Top Five Composers of the Year, and won the Djooky Music Awards Grand Prize with Josue for “Determinado.” He wrote the entirety of SB19’s Pagsibol EP and has been one of the principal creative forces behind a group that became the first Southeast Asian act nominated for a Billboard Music Award.
You don’t have to like Pablo. You don’t even have to like his voice. Taste is subjective.
But if the argument is “pumiyok siya, therefore he can’t sing,” eight years’ worth of live performances are sitting right there waiting to be examined.
Personally, I’d rather hear the occasional crack from a performer who takes the risk of actually singing than demand mechanical perfection and then complain when artists protect themselves from precisely that risk.
Perfection is reproducible. Live performance is not. That’s why we call it live.
@imszmc@SB19Official
Nurse gising na sya
Go Up pa lang nag viral na po ung SB19
Tapos nilabas nila ung MAPA nag viral din
Then GENTO era viral din
Wala pong tinulong yung fandom nyo sa kanila 😊
Libre goo/gle beh, try mo gamitin. 😊
Free kasi yung streaming nyo.
Ung sa kanila, kailangan mo mag subsribe HAHAHAAHAHAHHA sana gets mo ung difference. Di na naman tayo nagamit ng braincells nyan eh. Hayst
BINICHELLA padin talaga ang standard! Boung Pilipinas nanonood, views skyrocket, and pinaghandaan ang outfit! They represent Philippines at global stage with pride 🔥
@KielskiePH@michie010203 Ay buti naman po. Tska po sana pag nasa loob na po at binigyan po kayo ng pwesto para gumitna sana po wag nyo na tanggapin. Kasi if ganon na pala ang galawan, dapat pati fansites po may ganyang kaseng treatment every event.