⋆⁺₊⋆ ☾⋆⁺₊⋆ aleix ⋆⁺₊⋆ ☾⋆⁺₊⋆

no telephone to heaven

[⋆⁺₊⋆ ☾⋆⁺₊⋆ aleix ⋆⁺₊⋆ ☾⋆⁺₊⋆ @itsaleixiro]

vendo una entrada monegros 25/26 julio a 75€!!
#monegros #festivalmonegros #MDF2026
#entradasMDF #MDF

[Dr Shrimp Puerto Rico ☘️🇧🇷🇲🇽🔻 @LadPsycho]

Welcome back Wong Kar Wai

[⋆⁺₊⋆ ☾⋆⁺₊⋆ aleix ⋆⁺₊⋆ ☾⋆⁺₊⋆ @itsaleixiro]

@GhillieYT I know what has to change, and you guys won’t like it… Consumers. Consumers need to change. We need to organize and develop critical and class conscious consuming habits. This means if they rise console prices… we simply don’t buy. We control the demand, not them.

[ArtButMakeItSports @ArtButSports]

@Complex Petit disque orange (rotated), by František Kupka, 1932

[fomo @vicxses]

Holaa me llamo Javi estoy buscando habitacion/compartir piso en Barcelona a partir de septiembre.

Me mudo indefinidamente en principio, me gustaria conocer gente y hacer vida en el piso en la medida de lo posible

Tengo 25 años y soy diseñador grafico :p

Agradeceria un rt !!

[⋆⁺₊⋆ ☾⋆⁺₊⋆ aleix ⋆⁺₊⋆ ☾⋆⁺₊⋆ @itsaleixiro]

@Protowo99

[Fnac Gamers @Fnac_Gamers]

💥SORTEO 24H 💥

De dos juegos de Rhythm Paradise Groove para Nintendo Switch

✅ Sigue a @Fnac_Gamers y @Fnac_ESP
✅ RT
✅ Menciona a un amigo

Resultado el 17/06
BBLL https://t.co/fUABeSQV24

[Fnac Gamers @Fnac_Gamers]

💥SORTEO 24H 💥

De dos juegos de Rhythm Paradise Groove para Nintendo Switch

✅ Sigue a @Fnac_Gamers y @Fnac_ESP
✅ RT
✅ Menciona a un amigo

Resultado el 17/06
BBLL https://t.co/fUABeSQV24

[The Academy @TheAcademy]

Put them in the ride-or-die hall of fame.

Anna Faris and Regina Hall as Cindy Campbell and Brenda Meeks in the SCARY MOVIE franchise.

[⋆⁺₊⋆ ☾⋆⁺₊⋆ aleix ⋆⁺₊⋆ ☾⋆⁺₊⋆ @itsaleixiro]

@vicxses KDJKDJDKDJDK

[⋆⁺₊⋆ ☾⋆⁺₊⋆ aleix ⋆⁺₊⋆ ☾⋆⁺₊⋆ @itsaleixiro]

recalentando los nachos de bad gyal

[KEN @DRICKIPRINT]

This is how you white!

[⋆⁺₊⋆ ☾⋆⁺₊⋆ aleix ⋆⁺₊⋆ ☾⋆⁺₊⋆ @itsaleixiro]

k cojones ha pasado

[🍈 @5expat_hit_list]

Fake fruitger aero lovers when a real frutiger aero designer spotted in the wild

[lisa barhigh @scorpiobff]

Not sure if trade understood the weight of mulholland drive

[⋆⁺₊⋆ ☾⋆⁺₊⋆ aleix ⋆⁺₊⋆ ☾⋆⁺₊⋆ @itsaleixiro]

@TheScrubmaster @cxgonzalez 1500€ is a very common salary here in barcelona and it’s NOT enough. rent is 1300€+ for shithole apartments. You’d have to share with 2 other people if you don’t want to spend your whole salary on rent 💀

[G Jones @gjonesbass]

every time i see a new "create a song from a single prompt" kind of product being rolled out i think about these comments from @David_Rudnick

[⋆⁺₊⋆ ☾⋆⁺₊⋆ aleix ⋆⁺₊⋆ ☾⋆⁺₊⋆ @itsaleixiro]

@ClamsAndCockles Could you guys cover The Boys? it’s already finished but maybe an episode for season 5 overall?

[CSAURAGEUL @csaurageul]

Looking back, millennials grew up during a genuine golden age of AAA innovation, and somehow, we responded to it with some of the most dogshit criticism imaginable. A lot of the industry's current problems are the direct result of studios trying to "fix" complaints that never actually mattered in the first place.

Look back at some of the most common complaints from our time, and you'll see for yourself

"The campaign is too short. It’s only 8 hours!"
So now every game is padded with endless busywork, crafting systems, collectible spam, and pacing-destroying filler designed to artificially inflate playtime. We traded tight, replayable campaigns with memorable set pieces for 60-hour slogs that most people never even finish.

"It has a tacked-on multiplayer mode!"
A huge number of beloved multiplayer experiences started as “tacked-on modes.” Developers used to experiment because they could. A lot of those modes existed because parts of the team had downtime while waiting on other departments, so they built weird ideas for fun. That kind of experimentation is how entire genres are born. Thanks to this criticism, we barely get interesting side modes anymore. Singleplayer games stopped experimenting with multiplayer, and multiplayer games stopped shipping with campaigns.

"The game is too linear and on rails!"
Uhh, yeah? Sometimes that’s the point. Linear games allow developers to control pacing, tension, balance, atmosphere, and spectacle with precision. Not every experience benefits from being an open-world sandbox. Now everything has to be “go anywhere, do anything,” which usually just means bloated maps full of repetitive content where players accidentally skip important moments or experience the story in the worst possible order.

"There’s nothing to do after you beat the game!"
This helped create the live-service mentality where games are expected to become permanent hobbies instead of complete experiences. Seasonal progression, daily challenges, battle passes, rotating shops, login rewards. Games used to end, and now they’re designed to be work.

"The cutscenes take control away from the player!"
So now stories are delivered through endless walking sections where characters slowly talk at you while you hold forward. Ironically, this often feels less interactive than a well-directed cutscene because you’re not really playing, you’re just pretending to.

"The game is too repetitive, you just do the same thing over and over!"
This criticism pushed studios toward constant novelty at the expense of mechanical depth. Older games would give you a solid core mechanic and let you master it over time. Modern AAA games are terrified you’ll get bored, so they throw gimmick after gimmick at you instead of refining the fundamentals.

"It’s just another brown military shooter!"
This criticism was understandable at the time, but it led to every game becoming terrified of sincerity. Everything had to become quirk chungus, self-aware, colorful, ironic, self referential, and stuffed with marvel-style dialogue. A lot of AAA writing lost the ability to be earnest because studios became scared of being called generic.

I could go on and on, but you get the point. A lot of people (rightfully) blame sarkeesian for the current state of the industry, but we really dont blame yahtzee enough, seeing as he got everything he asked for, but not what he wanted.