800/1000 copies of the How We Crafted art magazine are now sold. Be quick if you want to read the advice of @tommmoore, @hughwelchman, @Pernilleoe and other creators in animation, illustration and graphic novels as they break down their creative process https://t.co/vPszAy4ZFo π
How do the creators of BenniSteptoe stay creative? π‘π€·β You can read about their creative process, and about how being isolated in a room without windows gets their imaginative juices flowing, in the How We Crafted art magazine https://t.co/vPszAy4ZFo
Adrianna felt like she had to reinforce the symptoms that are associated with anxiety, as they are often hidden to most people. She came up with the protagonist sprouting plants to have her stand out and seem uncomfortable π€πΏ https://t.co/fciBgSeVYd
Busy making the last 'Thank You' cards for the backers of the magazine #Kickstarter πβ (Missed the Kickstarter? You can still order the magazine here: https://t.co/vPszAy4ZFo) #songofthesea
@thisisarp@tommmoore It's different in the way that the articles go in-depth on specific things about each project. So for example the 12 page article about Song of the Sea focuses on how the team did the worldbuilding for the film while showing off work-in-progress art and finished artwork :)
The HOW WE CRAFTED art magazine features art and in-depth articles from both 'The Secret of Kells' π 'Song of the Sea' π and 'Wolfwalkers' - the new project in the irish folklore inspired trilogi πΊ Read more, and order a copy of the magazine here https://t.co/vPszAy4ZFo
@horne_elisabeth Hi Elisabeth, we tried to get a hang of you several times without luck - we need your address for the How We Crafted Kickstarter reward. Please log in to KS asap :)
How did Johan Oettinger make the puppets for "Seven Minutes In The Warsaw Ghetto"π€·π½? Johan shares his puppet making process and explains how they can be used to portray tradegy in the HOW WE CRAFTED art magazine π https://t.co/vPszAy4ZFo
#stopmotion#puppet#shortfilm
By making the characters' eyes extremely lifelike in the short film Machine, Sunit Parekh and his team wanted to push the uncanniness of the characters and still keep the audience's empathy for them π You can read our interview with Sunit in our magazine https://t.co/vPszAy4ZFo
For 'The Sense of Touch' Jean-Charles Mbotti Malolo used an array of different #animation techniques to convey the feelings and impressions of the deaf main characters π€π He spoke with us about the directing process in the HOW WE CRAFTED #art magazine https://t.co/vPszAy4ZFo
Hear how Guilherme AraΓΊjo @guima_art navigated the asteroid belt of design and landed on the right look for his animated short film π https://t.co/qEeiGXweLn
#cannes#design#animation π