sharpenit

22 | little space + dump acc well more like an acc for haikyuu and royale high lol and pls dont scroll deep down my tweets

[🪷 @shobioberry]

this is my Mona Lisa

[𝒢𝒾𝓁𝒷ℯ𝓇𝓉 @AbakpaJob]

So, apparently, the Cornell r*pists have tried to dox Jane Doe, but can't remember her. Do you realize what that says? If they can't remember which victim she was?
How many were there?
HOW. MANY. WERE. THERE?!

[‏ً @kagstinycrown]

hinata shoyo is everywhere for those with the eyes to see

[ً @suckerforyuu]

this is permanently engraved in me

[yor is waiting for oikawa’s bday @oikawatcru]

haikyuu quotes are so insane you would think they came from the bible like what do you mean by He who climbs the ladder must begin at the bottom

[judith iscariot 🇵🇸 @eleanorbebop]

Crying fat hot tears because I saw a video of a bear being released to the wild and all the rangers are yelling and setting off fireworks so the bears won’t think humans are safe, because we aren’t.

“As my last act of love, I will make you hate me”

[joy ꩜ @aopvs]

i promise you i’m fun and all but there’s just this intense sadness that i cannot get rid of

[hourly oikawa @oikawa1001]

watching this back in slow-mo, notice how everyone looked up at bokuto pointing finger, except akaashi. His eyes stayed fixated on bokuto the entire time….sosexy.

[🌋💋 @cinelliverse]

One-time purchases

[Aesthetics 𝕏 @aestheticsguyy]

Perfect birds eye view

[M @preetythreat]

"abs or biceps"? Idk probably the way his voice softens when he talks to me

[ceyi 🪼 @sheirabila]

kenapa kondom dikasih dengan gratis padahal sex adalah pilihan sedangkan pembalut harus dibeli padahal setiap perempuan harus menjalani menstruasi selama hidupnya!!!???!? GA PAHAM GUE KONSEPNYA this country is misogyny af

[하늘🐼🇸🇦 @parkhanyul1]

كيف خلت قطعة قماش مشققه تطلع بها الفخامه

[짤주워오는계정 @WkfxjfrP]

앙고라 염소 어릴 때와 성체의 차이

어릴 때는 귀엽고 복실복실 했다면
어른일 때는 되게 우아하고 엘레강스해짐

[📸 JustinTime @JustinTime_98]

260730 SB19 at Lollapalooza Chicago 2026

#SB19_STELL @stellajero_

UNLEASH SB19 LOLLAPALOOZA
@SB19Official #SB19
#SB19AtLollapalooza

[Stell Ajero @stellajero_]

GOODMORNING! DDAY!! ❤️‍🔥

[Philippine Concerts @philconcerts]

.@SB19Official Makes History as First All-Filipino Act at Lollapalooza

On a warm Thursday afternoon in Grant Park, five guys from the Philippines walked onto the Allianz Stage at Lollapalooza and quietly rewrote the record books. Pablo, Josh, Stell, Ken, and Justin, better known as SB19, became the first fully Filipino, homegrown act to ever perform at the legendary festival.

For a group that started as trainees, standing on that stage in front of a mixed international crowd was more than a booking. It was proof that P-pop could claim space on one of the world’s biggest music platforms without diluting who they are.

Fans lined up early. Philippine flags waved in the Chicago summer air. People who had never heard a single SB19 song stood shoulder to shoulder with A’TIN who had been waiting years for this exact moment.

Back home, it was the middle of the night. Watch parties stretched across Manila, Cebu, Davao, and beyond. The Rizal Monument glowed blue in their honor. For a lot of Filipinos, it wasn’t just about five performers on a foreign stage. It was about watching this group bring Filipino music to take up space on the massive global stage.

What made the set land so hard was how human it felt. SB19 has always been good at turning struggle into momentum, those early years of uncertainty, the decision to go independent, the build of a global fanbase that refused to stay quiet.

SB19’s appearance fits into a larger trajectory. The self-managed group, often called the “Kings of P-pop,” has steadily expanded its international presence with original material, high-energy choreography, and songs that speak to Filipino experiences—most notably the dance-pop track “VISA,” which addresses barriers faced by Filipino artists and professionals seeking opportunities abroad or just want to travel overseas for tourism. Their Lollapalooza set served as both a celebration of that hard-won progress and a bold introduction of P-pop to a massive, diverse festival audience.

They didn’t need to change their sound or soften their identity to fit the festival. They brought the sharp choreography, the live vocals, the attitude, and the pride. In a lineup stacked with global names, they carved out their own corner and made it feel inevitable.

Moments like this matter because they expand what’s possible. The next Filipino group that dreams of a major international festival stage will have a clearer path. The next kid practicing choreography in a small room will have living proof that the distance between home and Grant Park can be closed.

SB19 didn’t just perform at Lollapalooza. They arrived on their own terms, carrying our Philippine flag with them and left the stage wider than they found it.

History, it turns out, can sound like five voices cutting through a Chicago afternoon, singing in a language the world is finally learning to hear.

Setlist
DAM
Gento
Lawless
Emoji
MAPA
Wakas
Mga Kababayan (Francis Magalona)
VISA
Dungka
CRIMZONE

[! sky @vnillavc]

like, woah hello