هيليوغابالوس

꩜

[ge 🌹 @geraldd_tv]

os cara no escritorio da pf devem tar numa resenha muito forte com o celular do vorcaro, chega dar fomo até

[Kelly ✨️ @kkealves]

meio sugar daddy da parte dele

[embaixador @otnipeuqirneh]

peguei o uber e o cara falou "geógrafo milton santos, você sabe?"

Achei que fosse meu momento de brilhar e respondi, sorrindo

"Po, ele foi muito importante, ganhou prêmios e faria 100 anos esse ano..."

"Não...essa rua aqui. Você sabe se é tranquila?"

"Ah, tá. É sim"

[هيليوغابالوس @j9taman]

@Gustavusplay Mano queria mt saber oq seria contato visual duplo

[هيليوغابالوس @j9taman]

@donostiakodpz De fato, mas está bem mais próximo do michael bay do que do kubrick

[هيليوغابالوس @j9taman]

Comparar Nolan e Kubrick é criminoso demais

[Towobola @ib63319]

After Oppenheimer and Odyssey, can Nolan stand next to Kubrick amongst the GOAT's? Or not?

[snake @snakeimu]

MDRRRRRRR

[Augusto Fiel Teclado @1cesgusto]

Boa noite.

[𝙋𝙧𝙚𝙢𝙞𝙚𝙧 𝙇𝙚𝙖𝙜𝙪𝙚 𝙎𝙝𝙞𝙩𝙥𝙤𝙨𝙩𝙞𝙣𝙜 @PLShitposting]

La carrera de Neymar:

[weli 🦊 @weelicosta]

*wilton é só a abertura da copa do mundo, faz o básico

o desgraçado do Wilton:

[هيليوغابالوس @j9taman]

#fofotwt

[Mauricio Leite #VAI CORINTHIANS @MauricioLeite89]

O Endrick é puro carisma, né? Ajudando até a torcedora a tirar selfie com ele, que moleque bom, adoro esse mlk, q tenha sucesso na copa!👏🥹

[björk @bjork]

i wanted to tell you how we made the visuals for nerve-bloom
i did it with Natalia Kleszczewska and Natalie Liu .

Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds .
Natalie Liu is a computer graphics director , she shaped the digital dimension of the work .
my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in .
to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction.
we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song .
like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning .
to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist ,
.....encouraging each other to bloom even further towards a mutual world .

there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now .

i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view .
this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia .

when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go .
the structure of a song has always been extremely important to me : what shape it is .
this is part of the craft of being a singer-songwriter

........... we are tune sculpturors .......

since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos .
they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog .
for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes
( which we all can act out the characteristics of ...)

.... i feel nerve-bloom is a natural continuation ....

an animated avatar archetype

singing you a song

–––––
Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026.

The production of this film was made possible with the generous support of #bottegaveneta.

[marcelo d2 geladeira tsunami dadaísta @jalymrabey]

Neymar foi convocado

[Duc de Vinny (comms open) @DucDeVinny]

Me trying to draw the beatles from memory :

[Juninho Raposo @Juninhoraposo]

O nome do quadro já diz tudo"Isso é inacreditável".

Realmente é inacreditável em pleno domingo, no horário nobre ver um quadro feito quase 100% com IA.

Usar a tecnologia a nosso favor, sim! Desumanizar e abusar de uma ferramenta que substitui o ser humano é triste e perigoso. Porque todos nós sabemos que esse é um processo para "vulgarizar" o uso da Ia no nosso dia-a-dia.

O vídeo é auto explicativo 🤷🏼‍♂️
Créditos: Julia Solpin

#Domingão #Fantástico #IA

[gabu @gabu_moon]

o sistema judiciário brasileiro respondendo a yoko ono assim:

[DJ RAMON SUCESSO @djramonsucesso]

SEXTA DOS CRIAS DISTORCENDO CRANK DA CANTORA SLAYYYTER 😨🔥

[majestade @labubuneto]

dia da construção de frase maluca