james la marre

principal at masthead co 🌊💻

[james la marre @jameslamarre]

⚓️ just launched a new site for my very own studio, https://t.co/7N2evOaHlb, a web design and dev shop. site design and branding by the amazing @torrentbae ⚓️

[james la marre @jameslamarre]

@wkndpartyupdate https://t.co/As5oO9RxkH

[MoMA PS2 @wkndpartyupdate]

putting soup on a wood board so it can just drip and splash around all over the place, so localsourced farm-to-table slowfood soup-on-wood

[james la marre @jameslamarre]

@poeticdweller mine

[james la marre @jameslamarre]

happy pub day to @avierkant @realLandsEnd 🤘🤘 pick this one up from @VersoBooks (or wherever) and listen to @DeathPanel_

[james la marre @jameslamarre]

unearthed a dirty ol show flier i made in philly feat @Jbrekkie's old band

[james la marre @jameslamarre]

one of the more fun projects to work on 👾👾👾

[ann hirsch @nnHirsch]

Want to thank @jameslamarre for the amazing design and restoration of the piece! As well as @briandroitcour and @KlausGallery for curating it so many years ago. And of course @rhizome for supporting the performance of the project!

[ann hirsch @nnHirsch]

To celebrate “cyber” Monday I am re-releasing my ebook, twelve, which was censored from the iTunes Store in 2014. Def recommend using on a desktop or tablet! It’s about my time spent in an aol chat room when I was 12 and my NSFW relationships. Visit it at https://t.co/p1wbEMjrhx

[james la marre @jameslamarre]

90% of the tattoos in LA...

[james la marre @jameslamarre]

@avierkant “G7 make landmark agreement to cut infections by 50% by 2035”

[Death Panel @DeathPanel_]

In this very special episode, we look at a split that emerged within ACT UP in the late 80s and early 90s over whether to collaborate with pharmaceutical companies or stick to earlier, more radical tactics, and what happened as a result

https://t.co/FKuktnJMe9

[james la marre @jameslamarre]

“Inspired by the work of Suzanne Treister, The Unbody imagines virtually rendered spaces of understanding where alternate cosmologies beyond social and bodily restraint are possible” — @PPOWGallery

[james la marre @jameslamarre]

Now live: Cardinal is part of @PPOWGallery online exhibition “The Unbody,” a group exhibition launched in conjunction with @friezeofficial. Dive in here: https://t.co/R3wWBL1kOW cc @torrentbae

[Whitney Museum @whitneymuseum]

Dawoud Bey: An American Project is now open!

Since the mid-1970s, Bey has used his camera to create poignant meditations on visibility, power, and race, chronicling communities and histories that have largely been underrepresented or unseen.

More: https://t.co/d4Jl35KJz0

[james la marre @jameslamarre]

design and creative by the incredible @torrentbae 🌸🌸🌸

[james la marre @jameslamarre]

risographs from https://t.co/5xOV1Ejo70 are available for purchase through site, with 25% of proceeds going toward @sunrisemvmt to help champion the Green New Deal

[james la marre @jameslamarre]

each print is accompanied by an AI generated poem from the .net on translucent paper by @Arjopapers

[james la marre @jameslamarre]

Cardinal explores how digital tools help us remediate our relationship with (and experience of) earth. A python script joins NLP with image captioning to produce unique, haiku-style alt text based on a series of speculative flower video sculptures generated by AI

[james la marre @jameslamarre]

the past few months, my friend Gaby and i have been working on a little .net project that we’re launching today 🌸 https://t.co/fumyd0foDG

[james la marre @jameslamarre]

@katie_pooch thank you thank you!! <3

[james la marre @jameslamarre]

on updating the Whitney's Mobile Guide https://t.co/RHXetZQnVf