James Mooney speaking at @nmc_canada on the tape recorder as electronic musical instrument. Note the instrument on centre stage: Hugh Le Caine's Special Purpose Tape Recorder (made in Ottawa, 1959). One of my fav artifacts at @IngeniumCa (on loan/exhibit at NMC). 🙌
"Sound Instruments and Sonic Cultures" conference. Call for papers. Keynotes @maramills and Trevor Pinch. Excited to be organising this conference with a fantastic group of colleagues! Please share. #sisc2020 https://t.co/XbiE6pV0kw
Digitising the electronic tape part for Anthony Gilbert's electro-acoustic piece Treatment of Silence from 1969. The sounds were generated with one of the original Don Banks Music Boxes - the direct precursors of the EMS VCS3 synthesizer.
Thank you to vintage audio equipment firm Soundgas (@SuperSonicGear) for this lovely write-up of our recent workshop on 'Objects of Electronic Sound and Music' : https://t.co/9BW685EzGX #OESM2018@OESMLeeds
"It is my hope that questions of feminist desire & the archive & the ambivalent stories therein... remain central in the budding field of feminist sound studies," writes @RoshanakKheshti in her genealogy of "Sound Studies." #openaccess now https://t.co/AUEOqdq1S9