James Ormiston

Ondine trawler in a sea of sounds.

[stjohnsphoto @stjohnsphoto]

Herbert List #photography
Martinique, 1957

[PmAmTraveller @pmamtraveller]

a scene from Federico Fellini's 1969 film “Satyricon,” featuring detailed production design by Luigi Scaccianoce

[James Ormiston @JamOrm]

@AliRushX Voila

[Nathan Knapp @nate_knapp24]

From the end of W.S Merwin’s poem called ‘Berryman’—

[Carla Sarett @cjsarett]

Ursula K. Le Guin, “Leaves”

Years do odd things to identity.

[Pixel Symphony @Pixel0Symphony]

Frank Lloyd Wright, Charles Morgan, Triangles in Color / September (Mosaic based on a c.1926 design for Liberty magazine). c.1929.

Painted ceramic tiles.

[James Ormiston @JamOrm]

@sk33mask Another one for Bluesky. It’s already been a mine of new music discovery for me.

[James Ormiston @JamOrm]

@cheR_i314 Hi

[simone de bolivar @_bitchsword]

hardest movie poster ever???

[Celandine @GBClarkson]

@LukeThompson210 @Don_Share The Oswald poem is very atmospheric!
#eleemosynary

[Read More bell hooks @axmedamiinmax]

Fuck Your Lecture on Craft, My People Are Dying

BY NOOR HINDI

[Saul Williams @SaulWilliams]

It’s so silly to silence poets

when it’s silence

& blank spaces

that highlight
our words.

[Mirza Irham @Mirza__Irham]

...

[James Ormiston @JamOrm]

@JDTwitch It was a period of mongrel music, absurd mash-ups, and some outright blights on our eardrums. However the scene & music also helped queerify what seemed like a very masc/straight dance world, at least in London at the time when I was young gay starting uni.

[heretik @heretikradikal]

It takes balls to be a butterfly.

Butterfly Biker
1968 #ChuckArnett

[The Blue Door @TheBlueDoor22]

from a shoot with @ivan_donadio

[The Blue Door @TheBlueDoor22]

Ascent to Angle Tarn

[phillip crymble @phillipcrymble]

Seamus Heaney

[The Blue Door @TheBlueDoor22]

London Fields