@cwik_greg Libra got his best opening line, rivaled only by the opener for his first novel Americana: “Then we came to the end of another dull and lurid year.” The opening to Players is also excellent and underrated. Hate the opening of Underworld, which ties for worst with Mao II for me.
fragile, despondent, hypnotic, deeply moving — the rings of saturn is such a gorgeous book, not just blurring the boundaries between categories of 'fact' and 'fiction' but rendering them meaningless in the face of wider truths (about memory, landscape, patterns, transience)
"What’s a novel but a big score of details burgled from the world? And what’s a novelist but a fence, furnishing imaginary scenes with choice pieces of reality while obscuring their provenance?" @jcljules cuts a razor sharp profile of a writer and his city https://t.co/ihFkp9TKaK
The voice of a nation, Toto La Momposina, the iconic Afro-Colombian singer and child of political prisoners who was black listed by Colombia’s fascist government for the pride of Black resistance in her music, has passed. She was the soundtrack to my childhood, she’s who I put on and dance for hours to when I’ve had a bad day, she is all of Latin America to me, her Bullerengues are a spiritual realm, and she herself is eternal. Rest in power, Reina de la Cumbia 🕊️
Wonderful essay by Kevin Quashie on how Hortense J. Spillers's thought may be followed along the grain of her style -- specifically, how she constructs her sentences. Prefaced by an insightful discussion of the history and stakes of Black formalism. 👉 https://t.co/Wn6sachnfh
reviewed this in '21 for public books: "for all its faults, it contains entire histories of the Midwest that you won’t find in Jonathan Franzen." link below
Lonnie Liston Smith performing "Mysteries of the Blue" on a rooftop above New York City, 1973. Cosmic jazz suspended between the skyline and the sun.
Featuring Reggie Workman, George Barron, Lawrence Killian, and Alan Nelson.