Jessie Ratkiewicz (Taylor’s Version)

I had a marvelous time... ruining everything.

[Jessie Ratkiewicz (Taylor’s Version) @jessratkiewicz]

TAYLOR NATION KNOWS I EXIST

[Taylor Nation @taylornation13]

@jessratkiewicz @taylorswift13 we mean....can we say twins?!?! #folklorewatchparty #folkloreOnDisneyPlus

[Jessie Ratkiewicz (Taylor’s Version) @jessratkiewicz]

#SaveTheWayHome @hallmarkchannel @netflix

[kris🦋 @perfectlyfine89]

Your yearly reminder that Taylor has only performed seven ONCE in its 6 years of existence

[SJ ☁️ @sjumpthenfall]

a normal artist releases merch but taylor alison swift also has us go on a scavenger hunt 😭

[Pop Base @PopBase]

Official trailer for ‘SHREK 5’ has been released.

In theatres Summer 2027.

[yz ☆ @everhero13]

she spent a whole NIGHT in there... hide your faves i'm so serious

[Jessie Ratkiewicz (Taylor’s Version) @jessratkiewicz]

We need a #TheWayHome season 5 🙏 @netflix @hallmarkchannel

[MTV @MTV]

and I'd do it again!

[Taylor Swift @taylorswift13]

It’s a *Toy* Story 🤠
You knew it! My new original song “I Knew It, I Knew You” for Disney and @Pixar’s @toystory 5 will be yours on June 5th. I’ve always dreamed of getting to write for these characters who I’ve adored since I was a 5 year old kid watching the first Toy Story movie. I fell instantly in love with Toy Story 5 when I was lucky enough to see it in its early stages, and I wrote this song as soon as I got home from the screening. Sometimes you just know, right?
You can pre-order now exclusively at https://t.co/NoneI6kxdH and catch Toy Story 5 in theaters June 19th ☁️☁️☁️☁️☁️

[gabi ⸆⸉ ❤️‍🔥☁️ @nodwmisensee]

a taylor e o travis em outro universo

[ver. @cryeyesviolet_]

taylor explaining her promo ideas to disney and pixar like:

[The Husky @Mr_Husky1]

It was a Monday in early August 2023. The exhausted truck drivers of Taylor Swift's Eras Tour thought they were heading to a routine production meeting before the Los Angeles shows.
They had no idea what was coming.
Scott Swift walked in. Taylor's father didn't say much—he just began handing out envelopes. When the drivers finally peeked inside, some thought the check said $1,000. Others read $10,000. The third driver stared at his and said out loud: "This has to be a joke."
It wasn't.
$100,000.
Each driver. Nearly 50 of them. The industry standard bonus from the biggest stars? $5,000 to $10,000. Taylor had given them more than ten times that.
But here's what made it matter most: these drivers weren't wealthy. They lived in truck cabs. They hadn't seen their families in 24 weeks. They were people who would never own homes—until now. Until that envelope.
That moment of shock and tears? It was just the beginning.
Across the entire Eras Tour, Taylor quietly handed out $197 million in bonuses. The dancers. The band. The riggers. The lighting and sound technicians. The caterers. Every single person who built the show—they got bonuses, handwritten notes, and wax-sealed letters. When dancers opened theirs on camera in her docuseries, they broke down crying. Some couldn't believe she was real.
"If the tour grosses more, they get more," she explained simply. These people work hard. They deserve it.
But the crew bonuses weren't the only quiet revolution happening.
Starting in March 2023, in every city where the tour touched down, a call came to local food banks. Taylor wanted to donate. No press conference. No announcement. No photo op. One donation fed 75,000 meals. Another provided hundreds of thousands of pounds of fresh produce. Across the tour, the total reached millions of meals—possibly more—all delivered in silence.
She never posted about a single one.
And it wasn't new for her.
In March 2020, when the pandemic locked down the world, Taylor scrolled through social media posts from fans who were breaking. A photographer about to lose everything. A person staring down eviction. She sent direct messages with rent money—$3,000 here, $13,000 there. Some fans got enough for months of bills. She read the Washington Post. She noticed the names. She helped.
She never announced it.
Years later, in October 2025, a two-year-old named Lilah—fighting a cancer so rare that only 58 families in America had ever known it—was filmed by her mother dancing to a Taylor Swift song. Lilah called Taylor her friend. A few days later, the GoFundMe received a $100,000 donation.
The note said: "Sending the biggest hug to my friend, Lilah! Love, Taylor."
Mike Scherkenbach has worked with the wealthiest people in music. He's seen the bonuses. He's seen the behavior. He's watched billionaires guard their money jealously.
What he saw with Taylor was different.
The biggest tour in history grossed $2 billion. The artist behind it became a billionaire from her own songwriting. And then she signed her name onto hundreds of envelopes by hand and sent enough money back to the people who built her dream that they cried opening their letters.
That isn't strategy. That isn't a publicity stunt.
That's what happens when someone, somewhere along the way, remembered what matters.

[hi @FRANKIETWT]

Since y’all wanna be assholes for Taylor. Iron man dies in endgame

[Taylor Swift @taylorswift13]

Talking about songwriting > Talking about anything else. Thank you @joecoscarelli and @nytmag. I had the (NY) Time of my life 😎

📷: Stefan Ruiz
🎥: Joshua Charow 

https://t.co/MRodcF5j1n

[Jessie Ratkiewicz (Taylor’s Version) @jessratkiewicz]

Is Fortnite down??? It’s not match making :( @FortniteStatus

[millie @stunninbrina]

today is only day you can retweet this!!

[Clayton Bigsby @YourFavTweeter_]

This who yall be talkin shit about cuz they show her at football games? Lol

[Taylor Swift Fan Archive @Taylors_Archive]

Taylor tipping the workers at the Grammys after party.

[Doe @sourerdoe]

Another thing I just noticed is in the opening of this segment, it says that she gives them bonuses “AFTER EACH LEG”. That means everybody got at least 4 substantial bonuses from start to finish. Your “unethical billionaire” talking point is no longer relevant.