Joe Rogan and Tommy Lee can’t believe how good 76-year-old Rick Springfield looks and performs
Joe Rogan: “You want to see something fucking inspirational? Have you seen Rick Springfield lately?”
Tommy Lee: “I did just see him. I was like, ‘Whoa, dude.’”
Joe Rogan: “I’m gonna send you a video, and it’s gonna blow you away.”
“This is Rick Springfield. He’s 76 years old, and he’s singing ‘Jessie’s Girl’ like he just wrote it.”
“First of all, he looks fucking incredible.”
“I don’t even understand it. He looks like a 30-year-old guy.”
“And he’s singing the song like he just wrote it.”
Tommy Lee: “That’s fucking inspirational.”
“That is amazing.”
“I saw that clip and I was like, ‘Whoa.’”
Joe Rogan: “Lots of people in their 70s are just waiting to die.”
“This dude is on stage with no shirt on, fucking shit up.”
Tommy Lee: “I love it.”
“That’s gonna be me 10 years from now, just rocking shit.”
The Rock Behind Olympic Curling
There is something most casual viewers never realize about Olympic curling. At the highest level, every stone used in competition comes from the same small, uninhabited island off the coast of Scotland.
Not just similar rock. The exact same source.
Each curling stone begins as granite taken from Ailsa Craig, an ancient volcanic formation. The granite found there is exceptionally dense and highly resistant to water absorption. This is crucial because curling stones experience repeated heavy impacts and constant exposure to melting and refreezing ice. If water penetrates the stone and later freezes, it can create microscopic fractures that alter performance. At elite levels, even the smallest variation can influence the outcome.
Manufacturers use two specific types of granite from the island. A tougher variety forms the main body of the stone to withstand collisions. A rarer, finer grained granite known as Blue Hone is used for the narrow running band that makes contact with the ice. That surface determines how the stone moves and curls. Any variation in material would affect how the sport is played.
The island itself is rarely mentioned during broadcasts, yet it remains a constant presence in every Olympic match. Every precise shot and every narrow miss begins with stone shaped from the same remote source.
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