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Jin Sangtae
@jinst
자영업자
Joined April 2009
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533 Followers
7.4K Posts
full video https://t.co/Qsho6OYCCC
20260417
닻올림 연주회 231
진상태 Jin Sangtae
알리나 테무에서 살게 있다면, 그 제품 그대로 네이버나 에누리에서 검색해 보세요. 그리 가격 차이가 많이 나지 않거나 더 저렴한 가격에 배송까지 빨리 받을 수 있습니다. 오픈마켓의 구매대행 포함. 환율이 하수상하니 더블체크 하자는 차원에서 씁니다.
그럼에도 삶은 계속.
결국 뭔가 쎄게 진 것 같은 느낌이다.
서울에 총력을 퍼부어야 할 상황에 전북이 터져 수습하느라 그리로 다 빠지고, 서울시의 안전 악재는 오히려 적극적인 선거 활동을 할 타이밍을 빼앗는 상황이 되었다. 정원오의 능력은 좋을지라도 개인기가 좋지도 않고, 말을 잘하지도 못하고, 그러다 보니 상대적으로 덜 절실해 보였다.
Great set.
와웅. 맨유에서 시즌 최고 사이닝 선수가 나오다니 놀랠 노자네. 근데 정말 잘했어. 얘 영입하고 골리 걱정이 요만큼도 안들었으니.
🚨🏅 OFFICIAL: Premier League vote Senne Lammens as PL Signing of the Season. 🇧🇪
🇧🇷 João Pedro
🇨🇭 Granit Xhaka
🇫🇷 Rayan Cherki
🇫🇷 Adrien Truffert
🇸🇪 Viktor Gyökeres
🇧🇪 Senne Lammens
🇬🇭 Antoine Semenyo
🏴 Dominic Calvert-Lewin
#MUFC goalkeeper wins. 🫱🏻🫲🏼
JTBC가 UHD중계를 하지 않아서 이번 월드컵은 죄다 FHD로 봐야한다네 ㅠ
정몽규는 자기가 월드컵의 중심이라고 생각하는 것 같음. 그러지 않고서야 지금 이런 헛짓거리를 할 수가.
아욱 힘들고 헷갈리고 까먹고 미안하고 막...
엇갈림은 시간의 숲.
아님을 보여주는 것은 힘들고, 굳이 고되버리기 쉽더라, 바보가 되는 편이 낫지.
RECORD BREAKER, HISTORY MAKER!
🚨 OFFICIAL: Bruno Fernandes breaks Kevin De Bruyne and Thierry Henry’s record for most assists in a single Premier League season.
21 assists delivered this season. 👑🇵🇹
History. 🎞️
왜냐면, 팬덤 산업을 하는 것이니까.
Thom Yorke used his speech at the 2026 Ivor Novello Awards to deliver a blunt warning to the music industry: stop treating new artists like disposable content.
"To use music and song to tell the story of what it truly means to grow up in their mode and go stylistically wherever the fuck they want, because they can. This is the pumping heart of music. This is how music stays relevant.
"For this to happen, the industry itself has to have faith in these people. They're fragile, usually kind of fucked up like me, and they need support. And the industry needs the wisdom to allow them to develop, and be able to take risks with them and make mistakes with them. That is literally their job, in my opinion.
"I'm very aware, and so are my band, [of] how lucky we were in our formative years, thanks to our managers Brian, Chris, Bryce and Jules. They fought really hard for us guys. And weirdly, our old record company, the old school EMI, cut us a lot of slack back in the old days. It all paid off.
"We watched a lot of other artists not be so lucky, get chewed up and spat out. It takes time for artists to find their voice, to learn their craft and where it will take them. That is when the good shit occurs.
"I worry that our business is becoming risk-averse and unable to help. It makes zero sense to me. The same is true in a lot of the creative industries: art, film, theatre – they’re all going through this weird, myopic self-destruction.
"Instead, I picked up the FT [Financial Times] and read about the exciting share price of streaming services and the insane value placed on the catalogues of a few artists of the previous generation, and the financial frenzy around them.
"That's nice for them. But it is not, as they would like to call it, investment in the music sector. Quite the opposite.
"I wonder if those people appreciate what went into the making of those records. Maybe you should read some biographies of the music you're buying and hoarding, and some of the history about that subject.
"I wonder why no one questions this insane flow of money upwards that leaves nothing but dust for new artists.
"Those heads of our industry are not asking what happens for the future generation, when the musical well dries up – which it will, guys.
"Instead, a lot of lip service is paid to new music with self-serving playlists, and to the idea of a vital music scene. But there is a refusal to offer even a semblance of a sustainable revenue source for the majority of musicians.
"And they continue the nasty fucking opaque accounting tricks that major labels were doing in the '90s.
"So I guess I'd like to provide a quick reminder to the top of the industry and streaming services: pull your finger out. Where are you gonna get your next juicy back catalogues from, eh?
"This industry will die and arseholes with it, if all you do is devalue the next generation of artists and their fans. Just remember: without us, you ain't shit!"
📸: The Ivors With Amazon Music 2026, Dave Bennett Agency
![consequence's tweet photo. Thom Yorke used his speech at the 2026 Ivor Novello Awards to deliver a blunt warning to the music industry: stop treating new artists like disposable content.
"To use music and song to tell the story of what it truly means to grow up in their mode and go stylistically wherever the fuck they want, because they can. This is the pumping heart of music. This is how music stays relevant.
"For this to happen, the industry itself has to have faith in these people. They're fragile, usually kind of fucked up like me, and they need support. And the industry needs the wisdom to allow them to develop, and be able to take risks with them and make mistakes with them. That is literally their job, in my opinion.
"I'm very aware, and so are my band, [of] how lucky we were in our formative years, thanks to our managers Brian, Chris, Bryce and Jules. They fought really hard for us guys. And weirdly, our old record company, the old school EMI, cut us a lot of slack back in the old days. It all paid off.
"We watched a lot of other artists not be so lucky, get chewed up and spat out. It takes time for artists to find their voice, to learn their craft and where it will take them. That is when the good shit occurs.
"I worry that our business is becoming risk-averse and unable to help. It makes zero sense to me. The same is true in a lot of the creative industries: art, film, theatre – they’re all going through this weird, myopic self-destruction.
"Instead, I picked up the FT [Financial Times] and read about the exciting share price of streaming services and the insane value placed on the catalogues of a few artists of the previous generation, and the financial frenzy around them.
"That's nice for them. But it is not, as they would like to call it, investment in the music sector. Quite the opposite.
"I wonder if those people appreciate what went into the making of those records. Maybe you should read some biographies of the music you're buying and hoarding, and some of the history about that subject.
"I wonder why no one questions this insane flow of money upwards that leaves nothing but dust for new artists.
"Those heads of our industry are not asking what happens for the future generation, when the musical well dries up – which it will, guys.
"Instead, a lot of lip service is paid to new music with self-serving playlists, and to the idea of a vital music scene. But there is a refusal to offer even a semblance of a sustainable revenue source for the majority of musicians.
"And they continue the nasty fucking opaque accounting tricks that major labels were doing in the '90s.
"So I guess I'd like to provide a quick reminder to the top of the industry and streaming services: pull your finger out. Where are you gonna get your next juicy back catalogues from, eh?
"This industry will die and arseholes with it, if all you do is devalue the next generation of artists and their fans. Just remember: without us, you ain't shit!"
📸: The Ivors With Amazon Music 2026, Dave Bennett Agency](https://pbs.twimg.com/media/HI7umNxX0AA1ZSw.jpg)
It's Carrick, you know ❤️
🇾🇪 We are delighted to announce Michael Carrick will continue as our head coach, having signed a new contract.
나이가 들수록 앱등이가 되는 편이.
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