Will Brill plays the smallest, pettiest, most sniveling little weasel you’ll ever see in Giselle Bonilla's THE MUSICAL, out now in theaters!
Read @joetomastik's review! 🔥
https://t.co/JYwNspbgIg
this is honestly terrifying. no one deserves this harassment. the fact that he’s STILL being given access and opportunities is fucking disgusting. especially as a woman in this space, knowing he’ll still be around is really scary to think about. this industry is a mess
“If Stalker makes you feel dumb and bored while Oppenheimer makes you feel smart and alive, who will you say is the greater filmmaker?”
Last I checked it’s better for a movie to make you feel alive than bored.
One of the reasons Nolan’s considered a great filmmaker is because he designs his movies around reveals and lets the audience be part of it. So everyone gets the sense of “aha!”
Imagine you spend 3 hours watching 2001: A Space Odyssey and don’t get it. That can be really frustrating.
With Interstellar, there’s a similar sense of grandeur and thematic mystery, until the end, when Nolan provides answers to the mystery. People come away feeling not only like they watch art but that they understood art. Which is enjoyable.
Both Snyder and Bay lack the magic trick nature of Nolan. His dedication to structuring around mystery and payoff is why his films feel deeper than they are.
People watch The Odyssey and can sense there’s subtext. In the third act, Nolan’s nice enough to explain the subtext. People feel they watched a smart movie and understood it.
Whereas if you’re watching a Michael Bay film or Zach Snyder film…there’s no sense of the subtext and no reveal. So those films come off as one-dimensional and simplistic.
So Nolan’s carved out this niche where his films feel smart while also being presented in a way that’s more dynamic than the traditional art flick.
If Stalker makes you feel dumb and bored while Oppenheimer makes you feel smart and alive, who will you say is the greater filmmaker?
🔪slasher: Scream
👻ghost: The Shining
😈possesion: The Innocents
🩸vampire: Nosferatu (2024)
🐺werewolves: Silver Bullet
😆horror comedy: Shaun of the Dead
🫠body horror: The Thing
👽sci - fi: Annihilation
📼found footage: The Blair Witch Project
🌎int’l: Speak No Evil (2022)
my horror faves
🔪slasher: Scream
👻ghost: The Conjuring 2
😈possesion: Evil Dead (2013)
🩸vampire: Van Helsing
🐺werewolves: Underworld
😆horror comedy: Freaky
🫠body horror: The Thing
👽sci - fi: Starship Troopers
📼found footage: Cloverfield
🌎int’l: A Tale of Two Sisters
Not disputing opinions, to each their own, but deep, granular analysis is anti-art—a process that, if our French friends taught us anything, is designed to find the self-contradiction in everything. No theses. As Godard said, don't worry about comprendre, it's enough to prendre.
Favorite movie of each year of the 20s:
26: The Odyssey (so far)
25: Sinners
24: Anora
23: Bottoms
22: Avatar: The Way of Water
21: West Side Story
20: Tenet
THANK YOU, geez! And also in Obsession’s case, the fact Bear clearly saw the billions of massive problems and was still like, “No, I still wanna keep going with this.”
The main issue with Obsession is the same one with nearly all “be careful what you wish for” moral tales, which is that it’s not actually what you wish for that’s at fault, but merely the fact that you didn’t hire a lawyer to draft the wording of that wish.
Magic can happen when music and film are brought together! 🥰✨
Read @joetomastik's top 25 best needle drops, or uses of songs, in movies!
Can you think of more? 🤩
#needledrops
https://t.co/Uj00HOhKc0
completely on a whim i watched that one movie that people briefly memed about where william afton and clark backrooms share a scene together and came out of it genuinely moved
please watch the life of chuck if you haven’t already, completely blind if possible, it’s really good
It’s still possible to have fresh approaches to familiar types of stories, and these 20 films prove it!
Read @joetomastik's list of 2020s movies that show originality isn't dead! 😍
https://t.co/rWEvyfvA83