i love you. be kind. always take the high road if you can my kc’s. it’s much lighter here. so excited to share my joy and light with you this summer. i already miss you. x
Tonight all these lives converge here
The mosaics of laughter and cocktails of tears
Where fraternal souls sing identical things
And it’s beautiful
It’s rapturous.
It is frightening.
———
I can’t tell you how proud I am to share this with you, an album that just feels so right. A forever thank you goes out to my mentors and friends Max and Shellback for helping me paint this self portrait.
If you thought the big show was wild, perhaps you should come and take a look behind the curtain...
The Life of a Showgirl is out now.
https://t.co/VetltwlcoJ
Album Producers: Max Martin, Shellback and Taylor Swift
📸: Mert Alas & Marcus Piggott
“The AI screens” — The entire concept of the tour revolves around her fighting an AI enemy, with ARTIFICIAL as the opener. It’s intentional, not random. Moreover, there’s a huge difference between AI-generated images and videos made entirely by a machine, and hiring a graphic designer to use AI professionally, paying for the result of their skill and artistry.
“There are no female dancers” — It’s literally a Woman’s world. She’s the main character on the stage. I’m sure the backup vocalists, costume designers, makeup artists, and much of her team are women too.
“She’s flying like Pink!” — She’s been flying in her shows since the Prismatic World Tour… 11 years ago. This isn’t new. She’s always done it.
“She’s so cringe, wtf is she doing?!” — She was out of character for one minute. She was having fun at her own concert. Dancing. Being goofy. Being human. Being Katheryn Elizabeth Hudson.
This planned hate train is getting embarrassing and seriously out of hand.
I am so sorry, Katycats.