Ghana, 1979 — After years of military rule, Ghana was preparing to return to civilian democracy. In early 1979, Lt. Gen. Fred Akuffo’s Supreme Military Council allowed new political parties to organize and state their plans ahead of elections. But on 4 June, J.J. Rawlings and the Armed Forces Revolutionary Council overthrew the military government. The elections still went ahead, and Dr. Hilla Limann of the People’s National Party won, leading Ghana into the Third Republic.
“What fools they are! How ignorant for them to think that you believe these stupid lies!” — From exile in Conakry, Guinea, Kwame Nkrumah fired back after Ghana’s 24 February 1966 military coup, accusing the junta of dismantling Ghana’s achievements and calling for African freedom and unity.
Accra, Ghana, 6 March 1971 — More than 100,000 people gathered at Black Star Square for the legendary 15-hour “Soul to Soul” concert, held as part of Ghana’s 14th Independence anniversary celebrations. The historic event brought Ike & Tina Turner, Wilson Pickett, Santana, The Staple Singers, Roberta Flack and other African American artists to Ghana, performing alongside Ghanaian and African musicians such as Guy Warren/Kofi Ghanaba, Charlotte Dada, Kwaa Mensah and The Magic Aliens. It became a powerful Independence Day celebration of music, African identity, and unity between Africa and the diaspora.
Footage of Ishmael Adams & the Damas Choir’s performance during Ghana’s historic Soul to Soul Concert at Black Star Square, Accra, on 6 March 1971.
The Damas Choir was one of Ghana’s most celebrated mixed, non-denominational choirs, rising to prominence from the 1940s. Renowned for blending choral harmony with Ghanaian languages, drama, dance and traditional musical forms, the choir played a significant role in shaping Ghana’s post-independence performing arts.
In 1973, Ghana experienced severe shortages of subsidised goods such as sugar, milk and other essential commodities, as traders hoarded, smuggled and resold them at higher prices on the black market. In response, the National Redemption Council (NRC) government under Colonel Kutu Acheampong confiscated the goods and sold them directly to the public at the Accra Community Centre.
1953: Widely regarded as Britain’s first interracial society wedding, the marriage between Ghanaian lawyer Joe Appiah and Peggy Cripps, daughter of one of Britain’s most influential post-war politicians, Sir Stafford Cripps, captured headlines across the world. Their union challenged racial prejudice and became a powerful symbol of love transcending race and empire.
Footage from 1964: Inside the Ghana Cannery Corporation, Nsawam. Established under President Kwame Nkrumah in the early 1960s, it was a state-owned fruit and vegetable processing factory. The cannery processed pineapples, citrus fruits and tomatoes into juice, canned fruit and other products, forming part of Ghana’s post-independence vision of linking agriculture with industry through State Farms and local farmers.
The Ghana Young Pioneer Movement was founded in 1960 under President Kwame Nkrumah to conscientise the minds of the youth for nation-building—to instil patriotism, discipline, respect and love for Ghana among the youth, preparing them to become informed citizens committed to national development and defence.
February 1974: Ghana’s military government, led by Colonel I.K. Acheampong, ordered the closure of the country’s three public universities following nationwide student demonstrations. The protests were sparked after a University of Ghana student was allegedly subjected to military drills by soldiers in Ho, an incident that fuelled outrage across the campuses of Legon, KNUST and UCC. The government claimed the students had refused to present their grievances through official channels and instead engaged in demonstrations it described as unlawful, prompting the closure of all three universities. Students were ordered to leave their campuses immediately and could only return after applying individually and signing an undertaking to be of good behaviour. The incident remains one of the most significant confrontations between Ghana’s university students and military rule during the Acheampong era.
Accra in the early 1960s — a rare glimpse of daily life, traffic and commerce in Ghana’s rapidly changing capital. The footage captures landmarks including Kwame Nkrumah Circle, Kwame Nkrumah Avenue, the state-owned Ghana National Trading Corporation, GNTC and the USSR Showrooms—symbols of a city entering a new era of independence, modernisation and international trade.
Kumasi, Gold Coast, 1950: archival footage showing everyday life in the historic Asante capital and its surrounding communities during the final years of British colonial rule.
“The African, given the chance, can manage his own affairs.” — Dr. Kwame Nkrumah, 1957, responding to a question about whether Ghana could live up to the opportunities and responsibilities of independence.
Accra, Ghana — 16 May 1964. Newly crowned world heavyweight champion Muhammad Ali arrived in Ghana at the beginning of a major African tour. Welcomed by a large crowd and a ministerial delegation representing President Kwame Nkrumah, Ali described the journey as a return to his ancestral homeland. During his stay, he met Nkrumah, visited Kumasi and received enthusiastic welcomes from Ghanaians.
Accra, Ghana — August 1974. Archival footage captures the people of Ga Mashie celebrating the Homowo Festival through traditional processions, family reunions and ancestral rites. Twins dressed alike carried offerings to local shrines, while chiefs and elders later paraded through the streets, sprinkling the ceremonial food kpokpoi in remembrance of their ancestors. Families gathered to share meals from the same bowl, symbolising unity, renewal and the Ga people’s historic triumph over hunger.
Sekondi, Gold Coast — 1950s. Archival footage captures the streets of Sekondi and Fort Orange, offering a glimpse of everyday life, transport and the coastal town during the late colonial period.
Accra, Ghana — 1957. Archival footage captures Ghanaians dancing to the lively rhythms of highlife music, reflecting the joy, style and cultural spirit of the independence era.