Mr fl4

Ao matar os seus demônios,cuidado para não destruir o que há de melhor em você...
FLAMENGO ATÉ MORRER🔴⚫#ILHA

[Mr fl4 @jonatawick]

Hahahahahahahahaha

[Planeta do Futebol 🌎 @futebol_info]

⚠️ Torcedores do Vasco se mobilizam para levar ao Maracanã camisa em provocação a Flamengo e Fluminense:

"UH MARACA É NOSSO! SÍNDICO NÃO É DONO!"

A camisa mostra Pedrinho (presidente do Vasco) observando Mário Bittencourt (dirigente do Flu) e Bap (presidente do Fla) cuidarem do gramado.

A estampa foi feita por ambulantes da Barreira do Vasco, que devem levar centenas de camisas para vender no Maracanã hoje à noite.

🗞️ @OGlobo_Esportes | @diogodantas
📸 Reprodução

[Mr fl4 @jonatawick]

Coisa chata que aconteceu no Maraca😂

[Futebol no Rio | Luciano Vincler @Futebolnorio]

SBT tá de sebo

Tem uma semifinal continental para passar, torcida do Vasco totalmente mobilizada, dando show nas ruas e engaja do total nas redes

Louca para consumir tudo do jogo. Todos os rivais pararão para assistir também e o que eles fazem?

Pré-jogo de 10 minutinhos kkkk era meia hora NO MÍNIMO. Que loucura!

[Mr fl4 @jonatawick]

@_Jonnyforce O filha da puta que falar que está mulher é gorda não tem o shape padrão para á época atual está ruim...esse mesmo filho da puta,gosta de sentar em uma jiromba.

[Mr fl4 @jonatawick]

Groove,slap...muito bom,salve larry Graham.

[🌻Music 🎶🎻🎷 @khalythai]

Pure masterclass in funk bass. The talent and passion here are unmatched! 🎸✨

[𝗧𝗶𝗺𝗲𝗹𝗲𝘀𝘀 𝗠𝘂𝘀𝗶𝗰 ✨🎵 @Hoang_HQ]

Pure talent on display with this iconic 'Sultans of Swing' solo.🎸🔥

[Mr fl4 @jonatawick]

@FnagelPoa @jameswebb_nasa Estrutura do rock é uma coisa criação de músicas atemporais é outra,impacto em uma geração foi o the who (1960-70). Da sua fundação até hj,o Queen é sucesso. Gosto,cada um tem o seu,agora,quem atravessou gerações e até hj e ouvido,respeite a "Rainha".

[❥💃❤️🐕❥ @Mily116]

Judas Priest has just released their version of the legendary Black Sabbath song "War Pigs"

[Mr fl4 @jonatawick]

@PoetaTulio Isso me lembrou do... "Pezão, cadê o Amarildo?" Pérolas dos debates políticos .

[Mr fl4 @jonatawick]

@iarawiski 😂

[Mr fl4 @jonatawick]

@Vane_CRVG @SenhorSenzala @carolinybarbie Quando eu leio o que esse caras comentam o que ser homem de verdade (sou hétero bem resolvido) eu lembro logo do filme beleza americana do coronel Frank Fitts "macho alfa,hétero top". Hahaha.

[Mr fl4 @jonatawick]

@SrRodriguesDeS @Portal_Olaria Pode tirar minha ilha 🏝️. Tanto é que aqui tem uma ponte para separa a gente do Rjota.

[Mr fl4 @jonatawick]

@GDOMEMES30 Também,aprendeu com o Telchar.

[Mr fl4 @jonatawick]

@DataFutebol O Fábio pegaria essa bola de mão trocada pra sair bem na foto.

[Mr fl4 @jonatawick]

@FilipeACV @resenhudofc @futebol_info Então vc não gosta de buceta.

[Mr fl4 @jonatawick]

@eibelinda @AngeloOrsinus Ela tá escutando death metal Gojira.

[Music over time🎻 @Peal8888]

🎸When Six Strings Are Enough to Tell the Whole Story🎶

There are guitar performances that impress you with speed. There are others that make you stop and listen because of something much harder to explain: restraint.

Watching Mark Knopfler play “Sultans of Swing” during A Night in London in 1996, I was struck by how little he seems to need to prove. He does not play as if he is competing with the guitar, the audience, or even the other musicians on stage. He simply lets the instrument speak.

That, to me, is the real beauty of this performance.

Knopfler’s playing has always had a distinctive character. His fingers move with remarkable precision, but what stays with me is not the technique itself. It is the feeling behind each note. The guitar does not sound like someone demonstrating what he can do. It sounds like someone who already knows exactly what he wants to say.

That difference matters.

“Sultans of Swing” was already a landmark song, but hearing it live in this setting reveals another side of it. The clean guitar tone, the relaxed rhythm, the space between phrases and the controlled movement of his fingers create a feeling that is almost conversational. He leaves room for the music to breathe.

And perhaps that is why the performance feels so timeless.

Today, music is often presented at maximum volume—faster edits, bigger effects, louder performances, more visual stimulation. Against that background, Knopfler’s restraint feels almost radical. He does not need fireworks because the details are doing the work.

I find myself paying attention to the smallest things: the movement of his picking hand, the way a phrase ends, the confidence with which he allows a note to linger. Nothing feels accidental, yet nothing feels forced.

That is what separates technical ability from mastery.

A talented musician can make people notice the difficulty of what he is doing. A great musician can make people forget the difficulty altogether.

Mark Knopfler belongs to the second category.

The older I get, the more I appreciate this kind of artistry. Real mastery often becomes quieter with time. It does not need to announce itself. It becomes economical, precise and deeply personal.

Watching this performance, I don't come away thinking, “What an incredible guitar solo.”

I come away thinking, “That man knows exactly how to make six strings tell a story.”

And perhaps that is the real reason this performance still feels alive decades later.

Do you prefer a musician who shows you everything they can do, or one who knows exactly what not to play?