Thank you to @thezoolabs for selecting our startup, Adaelo, for your accelerator. We just finished the program, secured our first funding, and are building a our product for music licensing. S/O to my CTO, Abhishek, our mentors, and our early users—your support is shaping Adaelo.
After reading Liz Pelly’s Mood Machine, we know music streaming is a complex story but we’ve broken down these key questions:
- How did Spotify grow?
- Is each stream really worth $0.0035?
https://t.co/hypMPX7SRw
Just read Liz Pelly’s Mood Machine—a necessary look at how Spotify has reshaped the music industry. It answered:
- How did Spotify grow?
- Is each stream really worth $0.0035?
If you’re navigating music & the creator economy, I simplified the answers.
https://t.co/39ygpzEm7Z
@BrianBrackeen I see what he's saying. One common trait among entrepreneurs is that they build their products regardless of whether or not they were advised to become founders. It makes me think of James Baldwin's answer when he was asked "What advice would you give to young writers?"
I already look forward to the next time I get to compose for dance. Only a few tickets left for the premiere of our ballet in NYC. Hope to see you there. https://t.co/9IFptGILGW
Thanks to @SFConservMusic students who performed the premiere of Mark Fax’s string quartet. The work wasn’t published and the composition date is unknown. We also received more donations for the studio recording so THANK YOU. :)
Along with recording Mark Fax's string quartet, we're going to add music from his former students from @HowardU: Dorothy Rudd Moore, and Adolphus Hailstork. Listen to Fax's work at https://t.co/rhYALIjLId. There, you can also consider supporting. Every dollar helps.
This film was shot on an iPhone and I had the pleasure of composing and recording the score on a MacBook in an office room. It was a wonderful experience. You can watch it on @amazon, listen to the score on all streaming platforms.