Jon Rafman

𝘙𝘢𝘳𝘦𝘭𝘺 𝘩𝘢𝘴 𝘳𝘦𝘢𝘭𝘪𝘵𝘺 𝘯𝘦𝘦𝘥𝘦𝘥 𝘴𝘰 𝘮𝘶𝘤𝘩 𝘵𝘰 𝘣𝘦 𝘪𝘮𝘢𝘨𝘪𝘯𝘦𝘥. txt: [phone]

[ArtReview_ @ArtReview_]

Avery Singer, Simon Denny, Holly Herndon, Mat Dryhurst and Jon Rafman discuss – with the help of a generated AI – what the future holds https://t.co/nScZUb1pB2

[Broke @broke0x]

Main Stream Media // @jonrafman

Nice day for it 🌞

[M @mira__joyce]

Photos from Jon Rafman & Ry David Bradley's "letmein" exhibition — consisting of a 16,000sq ft textile installation of a massive collage of mine, directed by Rafman

[anika meier @postanika]

»(…) these online communities, for all their toxicity, were also sites of raw creative energy. The memes, the in-jokes, the world-building, the elaborate mythologies. People were constructing entire meaning systems from the wreckage of the culture they felt excluded from. That’s not nothing. There‘s a real parallel to how artists and writers at the beginning of modernity responded to the upheavals of the nineteenth century.«

– Jon Rafman in conversation with Karen Archey

In: Main Stream Media: Collected Films (2008–2026), 2026

[Cristóbal Valenzuela @c_valenzuelab]

Jon Rafman for James Blake - Like The End (Official Video).

All Gen-3 Alpha.

[Art Basel @ArtBasel]

#ArtBaselStories: Back to the future: Can yesterday’s tech-focused art still speak to the now?

Exhibitions featuring early work by Cao Fei, Jon Rafman, and Oliver Laric reveal how the Internet’s pioneering artists are developing canny strategies to capture a bygone moment’s energy

Read in full ➡️ https://t.co/rTSzY7AIY5

[Monopol-Magazin @MonopolMagazin]

Die Ausstellung "Main Stream Media" von @jonrafman in der Düsseldorfer @kunstsammlngnrw zeigt die KI-Ästhetik der Gegenwart – doch statt in die Zukunft führt sie zurück zur frühen Internetkultur und zu den literarischen Außenseitern des 19. Jahrhunderts

https://t.co/IBmOLsmIbp

[Jon Rafman @jonrafman]

Phantasy Adventure Generator II: Eastern Expansion
https://t.co/LElM95BN0a

[JAMES FERRARO @LIL_ICEBUNNY]

DESOLATION SEED (Early Access) - is now ACTIVE on Steam - There will be continued updates throughout the EA period THANKS TO EVERYONE FOR THE SUPPORT 🌍🌍🌍

https://t.co/RnNiGaD9WY

let me know if you enjoyed it be leaving a review !

[DIE ZEIT @zeitonline]

Kaum ein anderer Künstler taucht so tief hinab in die Bildwelten des Internets wie Jon Rafman. Nun zeigt eine Ausstellung in Düsseldorf sein spektakuläres Pandämonium. https://t.co/JfcLtAyYkB

[Jon Rafman @jonrafman]

https://t.co/dTzpAA1ehL

[Solos @solos_gallery]

1/8 Recognised as a central figure of post-internet art, Jon Rafman debuts his most recent multi-channel work, Music for Dead Malls, at Felix Art Fair.

Set within landscapes of prefabricated American suburbia and vacant shopping centers, the work stages banal yet faintly surreal, hyperreal environments he has described as “Lynchian.”

📷 install shot, Music for Dead Malls

[Solos @solos_gallery]

February 25- March 1 🌴🎬

Room 1109
Felix Art Fair
Hollywood Roosevelt Hotel

[JAMES FERRARO @LIL_ICEBUNNY]

some Desolation Seed in game footage. A major announcement regarding it is coming in the next couple of weeks
https://t.co/RnNiGaD9WY

[T∀N∀K∀ @YUSUKETANAKA14]

James Blake - Like The End (2024)
Director: Jon Rafman
Campaign Creative: Crowns & Owls
#Information_Overload

[Jon Rafman @jonrafman]

"There is an age rating to stab me" -ShortStory1

[Jon Rafman @jonrafman]

🌐𝚁𝙴𝙿𝙾𝚁𝚃 𝙰 𝙲𝙾𝙽𝙲𝙴𝚁𝙽, 𝙴𝚙. 𝟸 — 𝙾𝚊𝚔 𝚁𝚞𝚗 ▪︎ 𝙲𝙰📍

[Jon Rafman @jonrafman]

Final week of 𝙍𝙚𝙥𝙤𝙧𝙩 𝙖 𝘾𝙤𝙣𝙘𝙚𝙧𝙣 at Louisiana Museum
https://t.co/iQcs44qpmX

[anika meier @postanika]

Read the text ⬇️

https://t.co/5FDfcJ5xRb