🚨 Wayno says PLo shouldn’t have to answer to Glasses Malone or ANYBODY for producing for Drake and says turning a beat placement into a West Coast loyalty test is corny
Wayno says after everything Kendrick already did in the battle “Not Like Us,” “Euphoria,” “Meet the Grahams,” the Pop Out and the Super Bowl people still being mad at P-Lo over a Drake record is too much.
“Niggas could work with whoever they want.”
He says most producers are NOT turning down a Drake placement, especially when saying no doesn’t mean Kendrick is suddenly calling:
“You land a record with Drake… that doesn’t ensure that you’re going to get a record with Kendrick Lamar.”
Wayno also pushes back on the “protect hip-hop culture” argument:
“Y’all make a new excuse or a new version of hip-hop culture every single day.”
@nfr_podcast Kendrick day 1 fans know the deal. He do us like this all the time. Say goodbye to that song & the memory of it because he’s never giving us that. He’s moved on to a new era
in 2024 I did a documentary about bloodhound Q50. At 3AM after a day of filming with him, six gunmen had stalked me to fort knox recording studios in Chicago. They fired over 60 rounds at me, shooting four people that I was with including my cameraman in the neck, I wasn’t hit.
🚨 Shawn Cee says Drake’s biggest problem right now is that when he stops taking himself seriously, the MUSIC starts feeling like he stopped taking it seriously too
Shawn says Drake finally sounds less obsessed with the battle on FOMO, but thinks the trade off is music that feels boring, surface level and predictable.
He says Drake’s pride and ego have also ruined songs that could’ve been great by forcing in unnecessary jabs and sneak disses.
“There are some really nice and fun moments here… but Drake’s approach has gotten so monotonous it’s bordering predictable.”