J

[J @jopigl]

@Proserpinasb

[J @jopigl]

@JA_Bauza @fibwideportes @fibwi

[J @jopigl]

@RevistaAntagon @PabloIglesias @CanalRed_TV @diario_red_ Lamento boliviano

[Boston Radio Watch®️ @bostonradio]

RIP, Frederick Aloysius "Ogre" Palowaski.

[J @jopigl]

@jmgmoron @Tennis_Majors Qué bien escribir

[santodrive @santodrive5]

https://t.co/wfuDEmldS1

[J @jopigl]

@DAZN_ES LAMENTO BOLIVIANO

[loren bouchard @lorenbouchard]

‘Bob’s Burgers’ Covered the Joy Division Classic ‘Transmission’ in a Way That No One Will Ever Top https://t.co/J6L65hPIbl

[J @jopigl]

@FlixOle @Juan_Pando_ En "Volver a empezar" estuvo excelso

[IndieWire @IndieWire]

The ‘On Cinema’ Oscar Specials Are the Nightmarish Awards Counterprogramming Hollywood Deserves https://t.co/3Mxf0PZwCi

[Variety @Variety]

'On Cinema at the Cinema': How Tim Heidecker and Gregg Turkington Pull Off the Internet's Most Deranged Movie Review Show https://t.co/A5g0GJY9Gr

[DepressedBergman @DannyDrinksWine]

On this day, 53 years ago, Robert Altman's "The Long Goodbye" (1973) premiered in Los Angeles, California, USA.

Robert Altman on the disappointing opening of "The Long Goodbye" (1973) & why Elliot Gould was the perfect Marlowe:

"When the picture opened, it was a big, big flop. It opened in Los Angeles and Chicago and a few other cities, and the ad campaign was Elliott with a cat on his shoulder, a smoking .45 and a cigarette in his mouth, with Nina as a slick blonde beside him. And it just failed. I went to David Picker and said, ‘You can’t do this. No wonder the fucking picture is failing. It’s giving the wrong impression. You make it look like a thriller and it’s not, it’s a satire.’ So they pulled the film, and we got Jack Davis from Mad magazine to do a new poster with all the characters, and we opened it in New York and it was a smash hit.

By the time that happened, it was too late for Los Angeles and those other cities. If New York had been our first opening, we would have had a successful film. But the film has stood up over the years, in a strange way. Some British critics didn’t like Elliott Gould playing Philip Marlowe, and I was confused about that, because I had read a lot of the books, and what Chandler wrote was really a bunch of thumbnail sketches or thematic essays, all about Los Angeles, and Marlowe was just a device to unite them, and I felt we were very close to that. Everyone said Elliott’s not Philip Marlowe and I wasn’t being true to the author, but what they were really saying was that Elliott Gould wasn’t Humphrey Bogart. In fact, I believe we were closer to Chandler’s character than any of the other renditions, where they made him a kind of movie superhero."

('Altman on Altman', Edited by David Thompson, 2006)

[真打 豚汁師匠。@変態紳士 @89_LAPHROAIG_69]

最高にクレイジーかよ！

#jackass

[MuppetManiac @maniac_muppet]

RIP Robert Carradine. The ultimate nerd 🤓

[J @jopigl]

@voz_populi @beatriztellezdm qué bien escribir

[Sight and Sound magazine @SightSoundmag]

Across a filmmaking career spanning more than five decades, Frederick Wiseman – who has died at 96 – refined a uniquely austere, quietly radical form of documentary cinema

https://t.co/n9MKbw4FdE

[cinesthetic. @TheCinesthetic]

The Shining (1980)

[cinesthetic. @TheCinesthetic]

“The thing about the old days: they the old days.”

The Wire (2002-2008)

[Brandon Streussnig @BrndnStrssng]

“Listen to me, pie fucker. You would last a day on the creek.” ❤️