Jose Ramon

Soy el que nunca se fue …

[jr sancristobal @jrsestaca]

Ahí está la cosa…

[Jose Ramon @JRORRM]

@Poetaconmusa @arnemx Un sábado cualquiera en Buenavista , la mitad va al chopo o al centro , no mientan

[Alfredo Acosta ☭⃠ @Alfie_Acosta]

Cada tuit de @_LizVilchis que sale a la luz es peor que el anterior.

Un pinche asco que haya sido vocera de la Presidencia de la República.

¡Es una guarra en toda la extensión de la palabra!

[Jose Ramon @JRORRM]

@arlinmedrano_

[Jose Ramon @JRORRM]

@arturoavila_mx @Claudiashein @LuisaAlcalde @rosaicela_ @ivan_escalante

[Auteur House @auteurhouse]

William Friedkin on Paris, Texas (1984):

"I had seen 'Paris, Texas' (1984) by the German director Wim Wenders, photographed by an Austrian cinematographer, Robbie Muller.

His films were beautifully lit and composed, with long uninterrupted takes. This was the style I wanted for To Live and Die in L.A., in which the city would be portrayed as a violent, cynical wasteland under a burning sun."

[All The Right Movies @ATRightMovies]

Tom Wilson played Biff in BACK TO THE FUTURE and was fed up of fans asking the same questions so wrote a very funny song about it.

[Jose Ramon @JRORRM]

@record_mexico @JaffetRamos

[JC @jeancarloz73]

Yo a las 8:00 am cualquier día de la semana...

[Me Mata La Nostalgia @GenX_ARG]

1989

[cinesthetic. @TheCinesthetic]

Martha Vickers in The Big Sleep (1946) looking effortlessly iconic.

[Jose Ramon @JRORRM]

@morrisgil Categoría mundial…..

[Jose Ramon @JRORRM]

@monicagarzag Nacos

[Jose Ramon @JRORRM]

@jairocalixto Te invito. “Discutir” conmigo en persona, dime dónde y cuándo …. Lleva vendas

[Jose Ramon @JRORRM]

@RicardoCastsed3 @arturoavila_mx @AlessandraRdlv

[Jose Ramon @JRORRM]

@arturoavila_mx @AlessandraRdlv Mejor un enema

[Joaquín López-Dóriga @lopezdoriga]

Así mentía @lopezobrador_ y daba la vuelta a las preguntas de un reportero profesional.

[Dirty Flannel @DirtyFlannel90]

MTV’s Unplugged series was a real test for the musicians of that era.

Sure, you sound huge wired up to stacks of amps with distortion and effects stacked on top of each other.

But can you do it in a small room, up close to the audience, without all the gear to hide behind?

Stripped naked of the electricity.

Just the songs, the voices, and whatever you could pull out of an acoustic guitar and bongos.

The Stone Temple Pilots walked into that room in 1993 and passed the test.

Scott Weiland sat in a rocking chair like he owned the place.

No theatrics, no wall of sound to lean on.

Just the band and the material.

“Plush,” “Creep,” “Wicked Garden,” and the first public airing of “Big Empty.”

It held up. The songs didn’t need the volume to work.

That was the point of the whole series.

Some bands just got quieter.

The ones that mattered found a different kind of power when everything else was taken away.

“Plush”
STP

[Crónicas de la Ciudad Perdida Oscar Blanco CDMX @OscarBlancoCdmx]

#EraOtroMexico Perecen los 80’s 🇲🇽🕷️

[CapitánCalzon⚽️ @CapitanCalzon77]

Ya quiero ver este episodio!!