This piece begins by exploring glitchy teleconferencing spaces and their propensity to artificially remove messy sounds like barking dogs, crying babies, street noise, construction, and others beyond the grammars of spoken language.
https://t.co/nEPGOuLne6
Sound braid is inviting 60-second sounds for the braid. Submissions will be accepted until April 15th. Check out the link below for more info. Please feel free to circulate widely to your networks.
https://t.co/xcNxuFgv8t
#callforsubmissions#anthropologyofsound#soundstudies
'Maybe reconing with the fact that you are indeed here', ---- Aimee Cox meditates the final loop of the final day of #VirtualOtherwise22 along @v_otherwise
YorkU node has been picking up and discussing notes of limitations and possibilities that virtual/digital conferences present the speaker and the listener/viewer. How much is too much? How little is too little? #VirtualOtherwise22@v_otherwise
@LabSpecEth@v_otherwise We're looking at it not from the accessibility aspect, but from the presentation as a representation - and where does audiovisual presentation stand in the field of actors (from anthropologists to interlocutors, theories, academia, the public etc.).--->
@LabSpecEth@v_otherwise Juxtapositions, editing and various ways of organizing a panel can, as this conference does, explore those multimodal means in order to undo the age-old type written re/resentations - and thus create spaces for different means of engagement ---->
@LabSpecEth@v_otherwise Using multimedia creates possibilities of enhancing clarity and inclusion (of voices), but it can also at times veer close to being multimodal for the sake of being multimodal.
YorkU node is slowly, slowly settling in to spend the next three days in an air-conditioned underground 'HyFlex' space (occasional open-air viewings predicted). @v_otherwise@YorkUAnth#VirtualOtherwise22