Join @julesod2 at the @TheGardenCinema on Wednesday evening for a screening of Mystery Train and Q&A session to celebrate the publication of Hotels.
⏰ 19:50 BST, 14 May 2025
Book tickets here 🎟️:
https://t.co/tOeheekSkg
Shop the book:
https://t.co/W2qOirxjG5
@FordhamPress
A highlight of SCMS this year was bagging a copy of this, by @julesod2 - perceptive and poetic, a wonderfully readable and eye-opening blend of history and theory. Unexpectedly, it’s also left me hankering for the anonymity of a key card and a tiny bottle of shower gel.
One week left to submit a proposal for Sexual Ecologies! Academic papers, creative responses, video essays…all welcome! Details here: https://t.co/TjXLmtFfEo.
Generously funded by @CRASSHlive, @baftss and @MMLL_Cambridge.
📣 Call for responses
Sexual Ecologies: Space, nature and queer cinema
A workshop which explores queer and ecological perspectives in cinema and the nexus of queerness, landscape, and lens-based art
Submit a contribution by 4 April 2025
Event on 30 May
https://t.co/UGX7fK8KXX
Excellent new titles out today:
Capitalism Hates You: Marxism and the New Horror Film by @joshua_gooch
The Seduction of Space: Cruising French Cinema by @julesod2#NewBooks#NewBooks2025
PhD candidate, Mynt Marsellus has published their essay in the latest issue of @JCMSJournal.
You can read "Dimension 20 and Collaborative Moral Imagination" at https://t.co/E3EWKfxypT.
Lionel Soukaz est mort! Cinéaste PD d’avant garde, on lui doit certains des films les plus irrévérencieux sur le désir gay et la libération sexuelle, notamment ce chef d’œuvre documentaire Race Dep (1978) qui retrace un siècle de notre histoire communautaire.
"Des téléphones lancés contre les murs", un boy's club de direction aux méthodes de management toxique, de la "violence généralisée et banalisée" : plongée dans l'ambiance délétère de la Cinémathèque française, par @HugoBoursier, à lire sur @Politis_fr. https://t.co/zCMUJh8iEc
Cambridge cinephiles, I’ll be giving a Stephen Hales talk at Leckhampton in @CorpusCambridge next Tuesday afternoon. feat Claire Denis’s hotels, then and now