Jorge Uribe Roldán

Monje urbano, typical loner, buscador del silencio y caminante. En ayuno de IA

[Fareed Zakaria @FareedZakaria]

The result of President Trump’s tariffs has not been a manufacturing renaissance.

It has been higher prices, weaker investment, fewer manufacturing jobs — and a willingness to make falsehood official policy in order to defend a failed economic creed.

My latest column:
https://t.co/8MoZgoguBD

[Parisian Aesthetics @Parisianaes1]

“I have always imagined that Paradise will be a kind of library.”

Jorge Luis Borges

[Jorge Uribe Roldán @juriberoldan]

@allitsgiveafuck

[𝐌𝐮𝐬𝐢𝐜 - 𝐌𝐨𝐯𝐢𝐞 - 𝐀𝐧𝐝 𝐌𝐨𝐫𝐞⭐️❤️ @NgocThach74]

This moment captured a very famous memory: he was playing the piano and singing in front of tens of thousands of spectators at Wembley Stadium. During the performance, Phil Collins accidentally dropped a note on the piano, causing a visibly disappointed grimace on live global television, but he then smiled and continued to brilliantly complete his song.

[James Bond @007]

A little white lie.

[literland @literlandweb1]

"Todo pasa y todo queda, pero lo nuestro es pasar, pasar haciendo caminos".
Antonio Machado
📷Alex Webb

[SpyHards - A Spy Movie Podcast @SpyHards]

Is this the craziest #JamesBond cameo?

That’s Roger Moore’s daughter, Deborah Moore, serving Pierce Brosnan’s 007 a martini in DIE ANOTHER DAY!

Hear how she landed the role in our new interview ⬇️
🎧 https://t.co/FxzGL3pFri
📺 https://t.co/qNWrTiP3S4

[Jorge Uribe Roldán @juriberoldan]

@allitsgiveafuck

[OMG I love that song! @OMGIluvthatsong]

Lou Rawls - You'll Never Find Another Love Like Mine (1976)

OMG I haven't heard this name in so many years and hearing it just now reminded me of this beauty of a tune!!

The music is so similar too with the strings, just must more upbeat tempo!

[Music over time🎻 @Peal8888]

This song will transport you back to those wonderful years ✨

[Ian Phillips: Music, TV & Film Classics @IPhillips79]

The Whispers - And The Beat Goes On (1979)

From their self-named debut album, the classic song was the first of two #1's on the US Soul Chart for the group. As well as hitting the US Top 20 and topping the Dance Chart too, the single was just one notch short of top spot in UK.

[Golden Advice 🇺🇲🇺🇲🇺🇲 @RichardStiller4]

Just in case you need a break from politics and drama.

😊

[Rita Jeswant @ritajeswnt]

Mark Knopfler, Eric Clapton, Sting and Phil Collins-
Money for Nothing❤️❤️

[No Context Brits @NoContextBrits]

I can still hear the magnet on the door.

[Rémi Kasprzyk @KasprzykRemi]

Cette photo mérite absolument tous les prix. Elle a même sa place au Louvre.

Elle relate précisément l’inertie de l’individu face à l’effondrement.

Regardez la composition. Un chef-d’œuvre involontaire.

Au premier plan, le sable doré, les tongs abandonnées, la glacière. Le décor ordinaire du bonheur estival. Deux personnages assis, de dos, comme dans un tableau de Caspar David Friedrich. Sauf que Friedrich peignait des hommes contemplant le sublime. Ici, ils contemplent la catastrophe. Et ils ne bougent pas.

Au centre, le parasol. Publicitaire, criard, dérisoire. Un pastis face à l’apocalypse. C’est presque trop parfait : la France qui prend l’apéro pendant que le monde brûle. Aucun scénariste n’aurait osé.

Et puis le ciel. Les deux tiers de l’image. Cette muraille de fumée qui avale la lumière, ce dégradé d’ocre et de noir digne d’un Turner. La nature qui reprend la palette des maîtres pour peindre notre propre fin.

La femme photographie l’incendie avec son téléphone. Mise en abyme totale : nous documentons notre disparition au lieu de l’empêcher.

Cette image dit tout. Le déni, le confort, l’habitude. Nous sommes tous sur cette plage. Nous voyons tous le nuage. Et nous restons assis, parce que l’eau est bonne et qu’on a posé nos congés.

Les historiens de l’art parleront un jour de cette photo comme on parle du Radeau de la Méduse.

Sauf que cette fois, le naufrage, c’est nous qui le regardons depuis la plage.
💔🌍

[Britain's Lost & Living Pubs @Britains___Pubs]

I'll be waiting in the captains room.

The Ship Tavern, Holborn, London

[Music over time🎻 @Peal8888]

No need for elaborate choreography; just a soulful voice and a microphone are enough to dominate the stage.

[Manoco @Moonlighhy]

Yo-Yo Ma, Kathryn Stott - The Swan (Saint-Saëns)

"The Swan" from Camille Saint-Saëns' symphonic poem Carnival of the Animals, performed by cellist Yo-Yo Ma and pianist Kathryn Stott

[Jorge Uribe Roldán @juriberoldan]

@LilianaPatinoMe

[Milagros López @milamans]

Libro 'A ras del mar'. "Dices"
Dices que no te conozco.
Yo, aun en la distancia,
te tomo el pulso cada día,
instante a instante, te respiro.
Te leo en el vaivén de tus mareas.
Te descifro en el atlas oculto de tus anhelos.
Navego a merced de...
(Sigue en comentario) (Amazon).

[Jorge Uribe Roldán @juriberoldan]

@WRadioColombia Será que el arancel de Trump del 12.5% afecta nuestra exportaciones de carros eléctricos?

[𝗧𝗶𝗺𝗲𝗹𝗲𝘀𝘀 𝗠𝘂𝘀𝗶𝗰 ✨🎵 @Hoang_HQ]

When music could just stop you in your tracks and the floods of emotions just roll in.

[Cap’tain Bob @BobTharin]

Bruce Springsteen opening a show in Australia with a Bee Gees classic—and somehow making it sound completely his own.

🎬 Stayin’ Alive — Brisbane, 2014
🎤 Bruce Springsteen & The E Street Band

#BruceSpringsteen #StayinAlive #LiveMusic