The new single ‘Who You Callin’ Crazy’ is out now and available to stream on all platforms - so make sure you add to your library: https://t.co/X46Qmpily9
‘Foreign Tongues, Loose Lips’ lands Nov 27, bringing you more brand new music from the Stones.
On this day in 1974 the Stones released their twelfth studio album ‘It’s Only Rock’n’Roll’.
It was the band’s last album to feature guitarist Mick Taylor and was self-produced by Mick and Keith, AKA ‘The Glimmer Twins’.
The title track was the lead single and an absolute Stones classic!
Are you ready for more new music from The Rolling Stones?
We’re talking blues, country and that unmistakable rhythm and Stones sound that we know you love!
Just announced! ‘Foreign Tongues, Loose Lips’ arrives November 27, featuring five new recordings from the Foreign Tongues sessions.
Available to pre-order now on 1LP, including the original ‘Foreign Tongues’ album on CD, or Deluxe 2CD edition housed in a six-panel digisleeve with a 16-page booklet and gold foil detailing https://t.co/gjdG0zPbvn
The five new tracks:
Where There’s A Will
Who You Callin’ Crazy
Human Tide
Bad Luck Hideaway
She Still Comes Around
Brand new to the Stones online store and at RS9 Carnaby - Rolling Stones x Technics AZ100 Limited Edition. AZ100 is the industry’s first product to feature a magnetic fluid driver, delivering clear, high-quality sound full of realism and energy across a wide frequency range.
Get yours now online or instore.
https://t.co/9ZqOAhXJSl
A rare Mick and Keith vocal duet – The Rolling Stones have released ‘Bad Luck Hideaway’ across all streaming platforms, serving as the B-side to ‘Mr. Charm’.
Originally an iTunes-exclusive bonus track, the song features Charlie Watts on drums, recorded during sessions at British Grove in 2015.
Described by Mick as “a real fast punk rocker” - Hit Me In The Head, from the new album Foreign Tongues, features the beloved Charlie Watts on drums…Recorded during a 2021 recording session in LA.
Keith said “It felt like Charlie was beaming down on the whole sessions, keeping that swing alive.”
London, 1966.
Photographer Art Kane lies on his back as The Rolling Stones gather above the lens — a visual play on the band’s name.
Originally shot for McCall’s magazine’s Teen Idols photo essay, the pose went on to become one of the most imitated band shots of the era.