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The release of anything new on the #3DBluray format is cause for celebration. But when it's Jackie Chan? Pop open the champagne! Read the full review of #MagnificentBodyguards is below: https://t.co/fnVktKyz2c
***ANNOUNCEMENT***
Coming on August 24th on Blu-ray in the UK from @hammerfilms as part of their #HammerPresents line: #WhoeverSlewAuntiRoo? (1972)!
With a script co-written by Hammer's Jimmy Sangster, Whoever Slew Auntie Roo?'s black-humoured riff on Hansel and Gretel co-stars Ralph Richardson, Lionel Jeffries and Mark Lester and has been painstakingly restored by Hammer in 2K from the original film negatives.
Gaslit by her domestic staff in cahoots with a phony medium, Auntie Roo's tenuous grip on sanity snaps when she kidnaps young Katy during an annual Christmas party for local orphans. Unable to convince anyone that his sister's life is in imminent danger, Katy's brother must try to rescue her himself.
This release features:
Brand-new artwork by Lydia Maltby
Limited edition O-card packaging
English subtitles on the main feature
The disk features:
New commentary with film critic and historian Alexandra Heller-Nicholas
Original theatrical trailer
Image gallery
New video essay 'Grief is Horror' by Heather Wixson
Technical Features
Language5.1 / Mono / English
Number of discs1
RegionB
Certification15
Run time91
SubtitlesEnglish
https://t.co/XuMNRNzbM7
#BluRay #PhysicalMedia #BluRays #BoutiqueBluRay #CultMovies #DiscConnected #HammerFilms #JimmySangster #LionelJeffries #RalphRichardson #MarkLester
@LeProjetSerret@Great_Katzby Yep. Original, non-IP films from emerging talent killing at the box office, and people rejecting stale product is the sign of a healthy industry.
@yonann 99.99% of streaming movies never enter the popular consciousness at all, as if they didn't exist. Doing over-budgeted, glorified made for TV movies has been bad for the industry, and for stars. Affleck's arguing against the whole idea of "movie star."
@Spend4zen1@ShannonNutt@TheVallyD Yes, it's just my intuition — it's a tweet, not an essay — but the audience data for the movie backs up the over 45 number. A cursory search on toy sales says that around 80%-90% of MOTU sales is adult collectors.
Not science, just conjecture on why the movie was DOA.
@Spend4zen1@ShannonNutt@TheVallyD I’m saying it’s men over 45 who buy toys for themselves, and likely don’t have kids. People over were most of the audience, not kids.
@TheVallyD The He-Man IP is very active, but I get the feeling it's mostly and older adult collector market, and kids aren't too aware or interested. The demo who actually went to see this movie (45+) backs this up. I get the feeling it will see enormous drop-offs in week 2.
@Spend4zen1@ShannonNutt@TheVallyD Are kids actually watching this, or is it older people who are locked in to the collectable toy market and vintage IPs? The people who went to the movie are mostly 45+, so I'd bet that a lot of the viewership of the current cartoons are older collector nerds.
@ShannonNutt@TheVallyD Kids knew who the Lone Ranger was then. The old shows were in syndication, there was a 1980 Lone Ranger cartoon, and there were toys, etc. I don't even remember the 1981 movie coming out, and I was there for Superman II and Wrath of Khan. It just didn't connect, at all.
***ANNOUNCEMENT***
Coming on August 25th on #3D Blu-ray in the US from @KinoLorber and #3DFilmArchive as #52 in their #KinoCult Collection: #TheBubble (1966)!
The Bubble is the "eerie and enjoyable" (Los Angeles Times) spine-tingler that shocked audiences and revolutionized the cinematic world of 3-D! A plane carrying pregnant Catherine (Deborah Walley) and her husband Mark (Michael Cole) is forced to land in a mysterious remote town. The locals shuffle through the streets like brain-dead automatons, captive within an impenetrable dome that encapsulates the town. Can the castaways escape, or will they too become mindless prisoners within this human zoo? The Bubble introduced the groundbreaking Space-Vision 3-D system, used in almost all major 3-D features for the next thirty years. Newly restored by the 3-D Film Archive, this roadshow version of The Bubble is 21 minutes longer than any version previously released on home video, and is presented in both stereoscopic and anaglyphic 3-D formats (as well as standard 2-D).
Product Extras :
Audio Commentary by Matt Rovner and Mike Ballew (45 Min.)
Alternate Opening Title (1976 Re-Release, 3-D)
Robert Bernier 3-D Demonstration Footage (3-D)
Arch Oboler's Lights Out (30-minute Radio Play)
Original Trailer (2-D)
Re-Release Trailer (2-D)
#BluRay #PhysicalMedia #BluRays #BoutiqueBluRay #CultMovies #DiscConnected #KinoLorber #3DFilmArchive #3DFilm #SpaceVision3D
an episode of the long-lost 1960s british show “LATE NIGHT HORROR” was just accidentally found by a cinema projectionist looking through a box of old tapes in a storage area. the show was cancelled after 6 episodes for being too disturbing and all copies were destroyed/erased.
👀 Exclusive unboxing of MAGNIFICENT BODYGUARDS 3D!
It’s finally here 🥹
🇬🇧 Release date: 13th July
🇺🇸 Release date: 14th July
Pre-order at the 🔗 in our bio!
NEW RELEASE:
Chusei Sone Blu-ray Double-Bill of
SCARS OF THE SUN 太陽のきずあと
BLOW THE NIGHT 夜をぶっとばせ
First release of either film in any format outside of Japan!
Out July 27 - Order @Terracotta_Dist
https://t.co/0eIyu5Tv2p
@BenRitholtzNBA@robbyherm2 Isn't his success partly that he's an opinionated and emotional Knicks fan, that many other fans can relate to? Lots of people on Knicks Twitter were saying the same things. I don't see why this is would be some sort of "own."
Knicks fans making their own media is good, right?
Que haya vuelto a salir la Weng's Chop es una de las mejores noticias del año. El último número databa ya del 2020. Siempre es de agradecer que siga vivo ese espíritu contracultural y fanzinero que habla del cine que no le importa a nadie. O a casi nadie.
On May 26th we'll be announcing our next set of releases.
A double-bill of unbelievably obscure but super-great 80s youth-rebellion flicks from Japan.
Neither have been released in any format outside of Japan before, not even any film festivals!
Watch this space!