Khushhal Kumar

[NEACE @NEACETWEETS]

I am giving away one LoL Private Coaching ($200) , rules:

1) Must Like & RT this TWEET
2) MUST follow me
@NEACETWEETS

Failure to do all of these insta DQs you
Will announce winner in 72hours from NOW

and, remember:
https://t.co/88v9Z2OmQG for lol coaching,

GL HF!
😻

[Khushhal Kumar @khushhalk]

Titanic: I'm really just done with this cue. #bkfilm

[Khushhal Kumar @khushhalk]

Batman: I find this cue hilarious. Doesn't really fit the theme of Batman but i think its a good cue in aspects to Joker's madness. #bkfilm

[Khushhal Kumar @khushhalk]

The Last Emperor: This cue seems so free flowing and soothing. The instrumentation and style definitely sets a scene of a cultural context for the movie. #bkfilm

[Khushhal Kumar @khushhalk]

The Mission: The woodwinds do a great job of creating a mysterious and ominous atmosphere. #bkfilm

[Khushhal Kumar @khushhalk]

Passage to India: Feels weird to me having a western orchestration express a cue depicted in India but overall it does the job of creating a tensive atmosphere. #bkfilm

[Khushhal Kumar @khushhalk]

Gandhi: A pretty predictable instrumentation choice for this cue. I think the violin does more justice in expressing this scene than anything else. #bkfilm

[Khushhal Kumar @khushhalk]

Tron (Wendy Carlos): Wendy Carlos has been a pioneering power house for electronic and computer music. One of the first scores to implement electronic music as more of a compositional tool rather than just fx. #bkfilm

[Khushhal Kumar @khushhalk]

Legend: I think Tangerine Dream did a great job capturing the essence of a world of fantasy with some great sounding synths. I prefer it over Goldsmith's version cause i feel that an electronic score can have more of an impact on a scene in certain situations. #bkfilm

[Khushhal Kumar @khushhalk]

Dvorak, Symphony No. 9, Mvt 4: A powerful introduction to a movement. It accentuates a strong and epic atmosphere for the most part of the piece. #bkfilm

[Khushhal Kumar @khushhalk]

Imperial March: This is probably my favorite cue in Star Wars, perfectly emulates Darth Vader and the darkness inside that we are initially introduced to. #bkfilm

[Khushhal Kumar @khushhalk]

Close Encounters Of The Third Kind (Williams - 1977): The starting call and response is really weird. I don't really know what to say about this. #bkfilm

[Khushhal Kumar @khushhalk]

Jaws (Williams - 1975): Creates a powerful sense of adventure filled with suspense and tension. The hastiness towards the end really raises the tension. #bkfilm

[Khushhal Kumar @khushhalk]

Earthquake (Williams - 1974): I can always appreciate a great sub. #bkfilm

[Khushhal Kumar @khushhalk]

Basic Instinct (Goldsmith - 1992): The call and response between the strings and woodwinds set up a great atmosphere for this cue. Also a really great contrast from his synth madness. #bkfilm

[Khushhal Kumar @khushhalk]

Runaway (Goldsmith - 1984): Another cluster fuck....of synths. I actually enjoy the madness in this one. Electronic scores are always more interesting to me. #bkfilm

[Khushhal Kumar @khushhalk]

Star Trek_ TMP (Goldsmith - 1979): Besides the percussive layers, this kinda seems boring to me. I really don't have anything else to say. #bkfilm

[Khushhal Kumar @khushhalk]

Chinatown (Goldsmith - 1974): The horn melody plays a pretty strong role in setting the mood for this cue. A very jazz meets orchestral style score. #bkfilm

[Khushhal Kumar @khushhalk]

Patton (Goldsmith - 1970): The echoplex is definitely the highlight of this cue. Another great use of long delay tails. The rest is pretty straightforward with its military theme. #bkfilm

[Khushhal Kumar @khushhalk]

Planet Of The Apes (Goldsmith - 1968): The percussion combined with long delay and reverb tails do a great job of creating suspenseful atmosphere. Definitely a very unique score for its time. #bkfilm