JANUARY 2026 WATCHES
1st - ‘Wake Up Dead Man: Knives Out Mystery’
1st - ‘Death On The Nile’ (1978)
1st - ‘Evil Under The Sun’
2nd - ‘Eyes Wide Shut’ (+ Criterion features)
2nd - ‘The War Of The Worlds’ (+ Criterion features)
3rd - ‘The War Of The Worlds’ (+ Criterion commentary)
AUGUST 2026 WATCHES (con’d)
1st - ‘Teenage Sex And Death At Camp Miasma’
?th - ‘Kubo And The Two Strings’ (w/ features)
?th - ‘Kubo And The Two Strings’ (w/ commentary)
JANUARY 2026 WATCHES
1st - ‘Wake Up Dead Man: Knives Out Mystery’
1st - ‘Death On The Nile’ (1978)
1st - ‘Evil Under The Sun’
2nd - ‘Eyes Wide Shut’ (+ Criterion features)
2nd - ‘The War Of The Worlds’ (+ Criterion features)
3rd - ‘The War Of The Worlds’ (+ Criterion commentary)
@promptaipodcast@SamJWasserman But is the development of GenAI truly equivalent to past media developments when THIS much human process is subtracted? Can GenAI qualify as a tool when that is the case?
@SamJWasserman Funny, because there are already filmmakers making ambitious work without waiting for a studio, large budget or permission.
But they’re learning crafts/disciplines and putting them into practice. There is something even more rebellious and exciting in that.
@b1eachcream@mdmadeit Definitely not forced for most artists who are in favor of non-AI, human-crafted media. The crafts and disciplines that Gen AI produces facsimiles of are precious and incomparably fulfilling to take the time to learn. The value of the result is only as good as that of the process
@cedrichohnstadt I think “commercial art” still invariably involves human connection and human crafts, so I think the personal/commercial — AI/Non-AI correlation is a false equivalency.
@taherdhanera 2/2
So many of us want to watch something — live-action, animated, hybrid, vfx-heavy work — secure in the knowledge that non-AI processes (i.e. completely human crafts) were employed *across the board*. The ease/speed of gen AI is not enough of a gain compared to what’s lost.
@taherdhanera 1/2
As well thought out as this sentiment is, and as much of an appreciation for the craft of visual storytelling as it demonstrates, it’s not enough: