"And so they lived happily together for 300 years, in the land of Tír na nÓg" 💕
The first time I heard of Tír na nÓg, the land of enteral youth and beauty, was in Titanic when a mother, realising that she couldn't save her children as the ship sank, tucked them into bed and told them the tale of Niamh and Oisín 🪄
Inhabited by the Tuatha Dé Danann, those who lucky enough to reach Tír na nOg will never grow old and spend their days singing, feasting and just...being happy.
🎨 'Land of the Ever Young' by Arthur Rackham
@MeansB4Motive Me too... It's an unpopular opinion I think, but I would love if they could have a child together (I know, not very plausible)... What a force of nature that little one would be!
As a child, I was fascinated (more than fascinated )by this book, "Vasilisa the Beautiful."
It wasn't just that it impressed me. It was that the illustrations were beautiful... so beautiful... I was emotionally attached, embarrassingly attached, bound to the book like a friend.
For a long time, I read it daily. Really daily , the same pages, the same lines. It was like a little obsession.
The illustrator was Ivan Bilibin (1876–1942), a giant, in my humble opinion. He was painting folklore. Born in St. Petersburg in 1876, he studied under Ilya Repin. But he wasn't interested in the city , he was interested in fairy tales. He went north, to the villages, to the forests. He studied the frame as much as the image.
Bilibin's pages are truly beautiful. Clear, ornamental. Even the borders.
He was doing something Russians call "bylina " an epic repeated as song. Around 1900 he began illustrating Russian fairy tales for children: The Tale of Tsar Saltan, Vasilisa the Beautiful, The Firebird, The Feather of Finist the Falcon.
It wasn't just books. He worked on stage design for Rimsky-Korsakov, for Diaghilev, for the Ballets Russes.
After 1917, exile. First Egypt, then France. He returned in 1935, worked on stage sets, taught. He died in 1942, during the siege of Leningrad.
I still have the book.