frogmilk

deadlock addict

[𝐟𝐚𝐮ᛋ𝐭 @faustianwigger]

"It's not our war" well they just hit one of our embassies so I think it's starting to be our fucking war

[HIDEO_KOJIMA @HIDEO_KOJIMA_EN]

At the David Keighley Theater, I watched Christopher Nolan’s “The Odyssey” (shot entirely with IMAX® film cameras) presented in 70mm IMAX® film. Rather than simply watching the screen, I felt as though I was there the entire time. It was more than watching it, I witnessed it. The impact was close to what I felt when I was in elementary school student and when I first experienced the “Cinerama” at the “Osaka OS Theater.” Back then, I was used to watching everything on a CRT television, and the sense of immersion was unlike anything I had ever experienced. It brought back those memories. In hindsight, not having Japanese subtitles may have made the experience even better. I already knew the story well, having grown up watching the 1954 Kirk Douglas version and several black-and-white adaptations, but this was an entirely different experience. For me, it was an Odyssey unlike anything I had ever experienced. Despite the enormous 1.43:1 screen, Christopher Nolan and Hoyte van Hoytema’s cinematography brings us remarkably close to the actors’ faces. Through an exceptionally shallow depth of field and elegant pull-focus shots that shifts our attention to the finest details, they relentlessly follow the characters’ anguish and fate. The cast delivers performances powerful enough to withstand every bit of that extraordinary resolution. Nolan’s signature storytelling, with its meticulously interwoven timelines, is very much present here as well. Together, these elements elevate one of the world’s best-known classical epics into an intimate, deep human drama. It was magnificent. When it opens in Japan this September, it will be shown in digital IMAX®, but I have no doubt I’ll be making the “journey back” several more times.

[Speed⭐️ @ishowspeedsui]

@LoganPaul you don’t even know shit about one piece

[frogmilk @klimgorf]

watch out eternus... this chud is on his way. #deadlock

[frogmilk @klimgorf]

resident evil my life is yours....

[frogmilk @klimgorf]

so when is abrams getting nerfed into the ground

[frogmilk @klimgorf]

thanks deadlock for updating my badge to phantom 1 so i can feel good about myself #ascendantsoon

[frogmilk @klimgorf]

i don't know if i should avoid billy or bebop since oracle players love to feed them

[frogmilk @klimgorf]

@daizybelleDL wait this is so funny, banger tierlist keep up the great work

[frogmilk @klimgorf]

hero bans in deadlock with multiple good nerfs added, this game just keeps getting better

[frogmilk @klimgorf]

@whitewyyne nobody with a frontal lobe is building full gun graves. this has to be ragebait because aiming is not hard in this game, i would argue m1 characters are more "new player slop" than rem is, this take reeks of initiate

[frogmilk @klimgorf]

@whitewyyne you still have to aim with rem and his gun is trash, grave's gun is also mid asl with terrible range... they both rely on their abilities, you are just trying to gatekeep like some weirdo and hating on newer players that don't wanna queue snooze fest m1 heros

[frogmilk @klimgorf]

@whitewyyne this is true for pretty much 85% of the whole roster, nobody's kit is mechanically challenging other than like doorman and sinclair

[frogmilk @klimgorf]

@whitewyyne mb shes a hybrid, and i literally can't dismantle your take because its nonsensical. its legit just you calling something slop because the character you wanted didn't get voted in yet

[frogmilk @klimgorf]

Kirara and Hakari finally animated my god we are eating GOOD

[frogmilk @klimgorf]

GRAVES SWEEP

[Vector @DTR_Vector]

The definition of sex.

[frogmilk @klimgorf]

@morningcallie I’m an oracle 4 calico in need of deadlock friends

[frogmilk @klimgorf]

oh what a beautiful day, can’t wait to ruin it later by playing for honor against teams of the new character #glerm