@AmirMushich reframing is a generation problem, not a crop problem. the hard part is keeping the new edges consistent frame to frame so the extended space doesn't shimmer. if it holds on fast cuts, every label's back catalog gets a second life in vertical
@emollick funny part is the tell isn't any single comment, it's the sameness across five. slop is a pattern problem, not a text problem. x already has that signal, it just ranks engagement over it
how i'd build a $5k/month faceless content page with claude this weekend:
> pick one niche: money, fitness, history, tech
> install 6 free animation skills in claude code
> one line of text = one finished reel
> /graph for growth stories, /map-route for travel, /stick-figure for "why did…" explainers
> post 3 a day on tiktok, reels and shorts
> no face, no camera, no editor
> monetize: brand deals, affiliate links, sell the reels to other pages
claude writes, animates and renders. you just pick what to post
where attention goes, money flows..
and btw this works for any niche
follow + comment "ANIMATE" and i'll send you all 6 skills
@EHuanglu the consistency across cuts is the real jump here. pair this with a rough blender blockout for the camera and it's basically a one person animation studio
@emollick routing every us city is basically a giant shortest path problem. curious if opus wrote its own graph code or leaned on openstreetmap plus a routing lib
4,600 phones + $415k = 15 months in jail..
a 17-year-old in zhejiang, china did the math
> he bought 4,600 phones
> wired them to one pc with cloud control software and vpns
> every phone became a fake viewer
> livestreamers paid him to look popular
> ¥6.65 per phone, per day
> under 4 months later: ¥3M in the bank (~$415k)
> then the prosecutor showed up
> 15 months in jail, ¥50k fine, 17 more people under investigation
his mistake wasn't the phones. it was what he sold
fake attention is a crime. real attention is a business
the legal version of the same machine:
> no product needed. tiktok shop affiliate pays you a cut of every sale
> no 4,600 phones. 5–10 accounts, one niche each
> claude writes the scripts. 10 hooks per product
> ai generates the videos. same character, every day
> every video has the product linked
> after a week you kill what doesn't sell and clone what does
> once a product converts, an ai host sells it live 24/7
> an ai avatar of luo yonghao already sold $7.65M in one livestream
10 accounts + real buyers = a business
seedance 2.0 turned my grey blender blockout into a $50k sportswear ad...
let blender own the motion and seedance own the look
here's the workflow:
- step 1: block out the scene in blender with primitives: a stadium bowl, floodlight towers, a pitch plane. no materials, no lights
- step 2: get the hero product as a clean mesh. model it or generate it in tripo from 1 photo, grey clay is enough
- step 3: animate only the camera, one shot per clip: aerial flyover, slow push-in, low orbit, side tracking
- step 4: export each shot with viewport render animation (solid shading, 24 fps, 4–6 s). this is your motion reference, not your final
- step 5: in seedance 2.0 add the clip as a video reference + 1–2 photos of the real product as image references
- step 6: prompt only the look: "red football boot with white stripes, night stadium, volumetric floodlights, low fog, cinematic commercial". one effect per shot: molten glow, fire ring, shattering glass, lightning
- step 7: cut the best takes on the beat and add the title in the edit. never ask the model to type your slogan
how does it work:
> blender: layout, scale, camera, timing
> seedance 2.0: materials, light, smoke, vfx
> you: pick the takes
the mistake everyone makes:
>prompting the camera move
> describe a dolly in text and you get a random one
animate all in blender and you get the exact one