Here's a look at a few before and after images from the recent restoration of G. Aravindan's film "Kummatty" (1979) - a challenging labour of love involving detailed consultations with the cinematographer Shaji N. Karun, Ramu Aravindan and the colorist in Italy...
As our pioneering 8K digitisation project of Mani Ratnam’s films continues, here is a look at a few images from the raw scans of the caper film “Thiruda Thiruda” (1993) that was shot in Cinemascope.
5 Frames... Of Reno, the Biggest Little City in the World on @KodakProFilmBiz Portra 400 (120 Format / EI 400 / Zenza Bronica ETRSi + Zenzanon EII 75mm f/2.8) - by Cole Rangel
Read on at: https://t.co/OxXS3H2sEu
#shootfilmbenice, #filmphotography, #believeinfilm
"We played around with the @IMAX cameras a lot with @Interstellar as well, and it's undeniably the best and most visceral format. It's the biggest negative, so it will harvest light and spread it out over the biggest amount of celluloid, … 1/2
#HoyteVanHoytema
Calendars can be picked up from NAAM center by donating Rs.1500/- (or more) per calendar. Contact NAAM Mr. Shiva on # 90946 77777 & # 91763 07415
Calendars will also be available on the website https://t.co/QFFCwYV1Ip soon. Will keep you posted with updates.
#naamct#gvenketram
Found this amazing Christmas and New Year card painted and signed by “ Akira Kurosawa” which he sent to me when I was studying at FTII in 1992... I still have the beautiful letter he wrote to me in Japanese about filmmaking ...
Here’s a close-up look at the Film Repair sessions at the recently concluded FPRWI 2019 in Hyderabad as Marianna de Sanctis, Head of Film Repair at L’Immagine Ritrovata, Bologna, takes participants through the delicate operations and intricacies of repairing damaged celluloid.