when everyone had their cameras pointed at Timothee Chalamet, i pulled four dvds out of my pocket, including Ronald Bronstein’s “Frownland”, Josh was shocked, as he was leaving the stage, he pointed at me and said, “hey! you’re the guy who brought all my movies!”
The History of Concrete: basically just an 100-minute episode of How to With John Wilson in which he ponders the impermanence of TV shows, rocks, and all living things. loved every minute of it. an obvious early #Sundance2026 standout.
my review: https://t.co/sJ60iOPtr7
"The way we shoot with Josh [Safdie] is really exceptional. I don’t recall anyone I’ve ever worked with working anywhere close to the way he works. He works with an urgency, an obsession that is just very special. You need to go right to the end of things. He will never let go of a scene that he thinks is incomplete."
Cinematographer Darius Khondji breaks down shooting #MartySupreme: https://t.co/1rNIcXg7Dq
top 4 january first watches
magic spot (2022), dir. charles roxburgh
the absence of milk in the mouths of the lost (2023), dir. case esparros
lost book found (1996), dir. jem cohen
dusty stacks of mom: the poster project (2013), dir. jodie mack
top 4 december first watches
little women (1949), dir. mervyn leroy
odd man out (1947), dir. carol reed
scrooge (1951), dir. brian desmond hurst
little women (1933), dir. george cukor
I talked to Josh Safdie about Marty Supreme, crying, the verisimilitude of wet garbage, the scene Timothée called the "coolest thing he'd ever done," and directing without his brother https://t.co/0odVzjp31a