I wrote an essay about this long ago, about the 90s photo series by Adrienne Salinger “In my Room: Teenagers in their bedrooms” that catalogued all of the unique and colourful room decorations that reflected various subcultures and personalities. Even as a younger millennial this was starting to fade when I recollect going to my friend’s houses.
My thesis was essentially that online life had migrated youth culture inward, and so much of one’s style and personality is contained in those digital interfaces that reflecting one’s personality and identity outwardly into daily life became irrelevant.
Truly an underrated album. All of Adele’s music has been based on her feelings and experiences and she does that perfectly while being able to maintain an openness and common ground with general audiences. Yet 30 is Adele’s first album where she isn’t trying to straddle that middle ground because it’s so deeply personal, raw and her. She’s never been more burdened and yet more free. The stakes were never higher yet the person she would become after this was a person she loved and who she knew deserved happiness. I can go on forever about this album because it changed my world in so many ways when it came out and if anyone gives it a chance they will see why.
It is with a profoundly heavy heart that I share this statement on the tragic loss of my dear friend, Liam Payne. We first met in 2010 on The X Factor, where Liam became my confidant and my rock, offering unwavering support during some of my darkest moments on that journey.
Liam was kind, with a pure heart, a sharp mind, and the wisdom of an old soul. His warmth and compassion left a lasting impact on everyone who had the privilege of knowing him. His tragic passing not only leaves an irreplaceable void in the hearts of those who loved him but also serves as a painful reminder of the systemic neglect that persists in the industry.
There are those who had a responsibility to provide the care and support necessary for the well-being of young artists, but too often, the focus remained on profits rather than the people. This industry has treated talent like commodities, and the negligence of duty of care has once again led to a heart-wrenching loss. We need only look at Simon Cowell’s recent interview with Steven Bartlett, where he admits his greatest regret was not owning the band’s name. The real regret should be the failure to prioritize the emotional and physical welfare of the artists who put their trust in these institutions. Contracts, whether they are for television shows or record deals, come with a legal and moral duty of care that must be upheld.
My heart breaks for Liam’s family—his mother Karen, father Geoff, his sisters Nicola and Ruth, his beloved son Bear and Cheryl—and for all those whose lives have been forever altered by this unimaginable loss.
Liam, I am so deeply sorry for all that you went through. Your spirit will live on in the hearts of so many, and your story will continue to be told. The change the industry so desperately needs will come, and we will honor your legacy until it does. Keep singing in the sky, my friend.
With all my love,
Katie
repostatelo alll’infinito. voglio la tl solo con questo video.
contro la censura, contro il sionismo
libertà ai palestinesi
stop al genocidio
#Sanremo2024
Il segmento "fire drill" di The Office con la scena dove Dwight simula un incendio per insegnare agli altri le procedure sulla sicurezza tutti vanno nel panico è probabilmente la cosa più divertente della storia della televisione dont @ me