Frank

COPYMACHINE

[松岡秀明 @Aki19561]

現代は絵を学ぶ者にとってはとても恵まれた環境だと思う。
欲しい資料や画像はあっという間に簡単にネット検索で入手できる。
撮りたい動画があればすぐ撮れる。
この環境で学んで絵が下手ならすぐ諦めたほうが良いと思うほど絵を学び練習するにはこれ以上の環境は無いと思えるほど。
しかもアニメーションだってすぐできる。
私がアニメーターにになった頃はようやく��庭用のビデオデッキが発売された頃だった。
とても高価で性能は今のスマホとは比較にならない程貧弱で図体だけ無駄に大きかった。
一眼レフカメラは持ってたがフィルムを買っても36枚撮りとかでは撮りたいだけ撮れるものじゃないし現像には時間とお金がかかった。
資料の本を探すには都心の書店を何店舗も歩き回らなければならず時間と体力を無駄に削られた💦
10代の頃はもっと環境は悪く欲しい本を買うお金はいつも足りず田舎の町では大きな書店はなく入手できる資料は極少なく、ましてや録画なんて不可能な時代だった。
カメラも持ってなかった。
今思い返してみて、そんな環境でよく絵の練習が出来たなと不思議に思うほどだ。
私が主に利用してたのは当時の洋画雑誌（スクリーン等）やアイドル雑誌（明星や平凡）のグラビアと漫画の模写だった。
ハリウッド俳優達やアイドル達をたくさん模写して色も塗って仕上げるのが楽しかった…。
もし若返る事が出来るなら現代のテクノロジーを持ってあの時代に帰りたい。

画像は最近描いたちょっと丁寧な落書きですがこんな感じの絵を中高校生の頃はよく描いてました。

[Frank @LDreamor]

@thato6191 @ayiuayiu I almost thought Keisuke Mori did all this.

[yohan @yohanjs05]

마츠모토 노리오의 작화는 앎을 확장합니다

스미어나 오바케라고 불리는 형태를 뭉게는 표현은
카메라 상에서 빠르게 움직이는 물체가 상이
뭉게져보이는 것을 표현한다는 관점에서
사실적이라고 볼수있습니다

그치만 카메라는 무엇일까요
카메라는 인간의 눈을 모방한 기계의 눈입니다.

인간의 눈은 카메라처럼 시간을 지각하지않습니다
그동안 축적된 경험에 따라
숙련 육체적 수행능력에 따라
동일한 시각 정보라 하더라도
누구는 공중에서 회전하는 칼날의
회전을 눈으로 쫒지못해 뭉개버리고

누구는 칼보다 먼저 칼이
머무를 위치에 시선이 도착해
칼��� 회전하는 횟수마저
세어 버릴지모릅니다.

그런 관점에서 이 작화는
헌터×헌터라는 세계���서
넨능력을 지닌 이능력자 즉
통상적인 인간의 지(知)를 벗어난
인식을 구현함으로써, 보는 이의
앎마저 확장합니다.

#作画 #作画文学

[Avery・エィブリー @PhantomAvery1]

たくさんの優しい言葉で泣きそうです。 🥹 ありがとうございます!!!

#anime_eupho #響け #sound_euphonium

[Avery・エィブリー @PhantomAvery1]

【響け！ユーフォニアム☆ファンアニメ】

『梓と一緒なら』

Full version ↓↓

https://t.co/A9dr8eLH6D

[Catsuka @catsuka]

Happy 20th anniversary to Khara studio, founded by Hideaki Anno on May 17, 2006.

[Frank @LDreamor]

2025

[Beast @Beasto_ani]

The narrative that the anime industry and its techniques are still inaccessible to Westerners unless you travel to Japan or enroll in a class over there is no longer true. It was like that 10 years ago, but now it’s more accessible than ever. You just have to look at the credits of almost any popular anime and you’ll see names from all over the world (most of them very young too).
There are resources, paid and free tutorials, communities and the ability to translate almost any kind of document. Plus, a well trained Western animator can shift to Japanese standards with little effort.
I don’t have any problem with people promoting their paid courses or resources, but when it’s through misinformation and clickbait it comes out as disingenuous.

[Frank @LDreamor]

@anime_gaku Can't wait!

[Animétudes @anime_gaku]

Been thinking increasingly hard about restarting the blog recently. The content will be a bit different, though.
More details this summer, hopefully.

(I don't think this means more activity for this account in any case)

[StudioChrono9 @StudioChrono9]

遅れておりましたが、#とんがり帽子アトリエ　5話にて弊社のアニメーター Ezequielが作成したLOの一部となります。 演出の川越さんの修正がすごくて感謝の言葉しかございません。
投稿許可済み*
It took us a while but here are some of the LO of animator @tuesnazz did in the previous episode 5 of Witch Hat Atelier.
We just love his BG details and his dragon was really impressive. Thanks again to the Director Kawagoe for his amazing corrections.

#WitchHatAtelier

[Horacio Altuna @HoracioAltuna]

Austin Briggs

[Horacio Altuna @HoracioAltuna]

Austin Briggs

[Grardox @Grardox]

@spi3lzeug Well, it's incredibly unusual in Japanese animation because it requires working under a very different method. It also demands excellent consistency and body language. In western animation, it's much more common.

[ツバキ・テルミ @tubaki1032]

#上伊那ぼたん 5話は今西さんと動画検査やってました！
後半の山梨からラストまでが自分のパートになります。

この話数は原作で一番好きな話数だったので絶対にやらせて欲しいとずっと伝えていた話数で、その中でも一番好きなセリフのカットを自分で守りきれて嬉しかったです。

本当に最高の話数です。
���非見てください！

[Sarca @sarca_sc]

We (Anime Atelier, unrelated to the Atelier in the thread) directly asked who the "studio representative" making the statements was and we received a "There is only one guy and that's me", the issue I take is that it seems like no one bothered to ask who they were speaking to.

[Beast @Beasto_ani]

RIP Tatsuo Sato. Martian Successor Nadesico remains a huge influence on my work to this day.

[Anime Updates @animeupdates]

Director Tatsuo Sato, known for his work in 'Martian Successor Nadesico', has regrettably passed away at 61 due to liver failure