lee™

@leeshikii

spittin fax

he/him | 21 | ph

Joined January 2021

514 Following

1.3K Followers

29.9K Posts

Pinned Tweet

lee™ @leeshikii

over 3 years ago

Thread of Arts/Colorings that I've done ✨🙏

leeshikii's tweet photo. Thread of Arts/Colorings that I've done ✨🙏 https://t.co/m1AJmfoQ0X

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lee™ @leeshikii

about 2 hours ago

@OfficialJoelF @Um_tal_de_diogo holy shit polites mentioned

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leeshikii retweeted

@HIDEO_KOJIMA_EN

about 12 hours ago

At the David Keighley Theater, I watched Christopher Nolan’s “The Odyssey” (shot entirely with IMAX® film cameras) presented in 70mm IMAX® film. Rather than simply watching the screen, I felt as though I was there the entire time. It was more than watching it, I witnessed it. The impact was close to what I felt when I was in elementary school student and when I first experienced the “Cinerama” at the “Osaka OS Theater.” Back then, I was used to watching everything on a CRT television, and the sense of immersion was unlike anything I had ever experienced. It brought back those memories. In hindsight, not having Japanese subtitles may have made the experience even better. I already knew the story well, having grown up watching the 1954 Kirk Douglas version and several black-and-white adaptations, but this was an entirely different experience. For me, it was an Odyssey unlike anything I had ever experienced. Despite the enormous 1.43:1 screen, Christopher Nolan and Hoyte van Hoytema’s cinematography brings us remarkably close to the actors’ faces. Through an exceptionally shallow depth of field and elegant pull-focus shots that shifts our attention to the finest details, they relentlessly follow the characters’ anguish and fate. The cast delivers performances powerful enough to withstand every bit of that extraordinary resolution. Nolan’s signature storytelling, with its meticulously interwoven timelines, is very much present here as well. Together, these elements elevate one of the world’s best-known classical epics into an intimate, deep human drama. It was magnificent. When it opens in Japan this September, it will be shown in digital IMAX®, but I have no doubt I’ll be making the “journey back” several more times.

HIDEO_KOJIMA_EN's tweet photo. At the David Keighley Theater, I watched Christopher Nolan’s “The Odyssey” (shot entirely with IMAX® film cameras) presented in 70mm IMAX® film. Rather than simply watching the screen, I felt as though I was there the entire time. It was more than watching it, I witnessed it. The impact was close to what I felt when I was in elementary school student and when I first experienced the “Cinerama” at the “Osaka OS Theater.” Back then, I was used to watching everything on a CRT television, and the sense of immersion was unlike anything I had ever experienced. It brought back those memories. In hindsight, not having Japanese subtitles may have made the experience even better. I already knew the story well, having grown up watching the 1954 Kirk Douglas version and several black-and-white adaptations, but this was an entirely different experience. For me, it was an Odyssey unlike anything I had ever experienced. Despite the enormous 1.43:1 screen, Christopher Nolan and Hoyte van Hoytema’s cinematography brings us remarkably close to the actors’ faces. Through an exceptionally shallow depth of field and elegant pull-focus shots that shifts our attention to the finest details, they relentlessly follow the characters’ anguish and fate. The cast delivers performances powerful enough to withstand every bit of that extraordinary resolution. Nolan’s signature storytelling, with its meticulously interwoven timelines, is very much present here as well. Together, these elements elevate one of the world’s best-known classical epics into an intimate, deep human drama. It was magnificent. When it opens in Japan this September, it will be shown in digital IMAX®, but I have no doubt I’ll be making the “journey back” several more times.

HIDEO_KOJIMA_EN's tweet photo. At the David Keighley Theater, I watched Christopher Nolan’s “The Odyssey” (shot entirely with IMAX® film cameras) presented in 70mm IMAX® film. Rather than simply watching the screen, I felt as though I was there the entire time. It was more than watching it, I witnessed it. The impact was close to what I felt when I was in elementary school student and when I first experienced the “Cinerama” at the “Osaka OS Theater.” Back then, I was used to watching everything on a CRT television, and the sense of immersion was unlike anything I had ever experienced. It brought back those memories. In hindsight, not having Japanese subtitles may have made the experience even better. I already knew the story well, having grown up watching the 1954 Kirk Douglas version and several black-and-white adaptations, but this was an entirely different experience. For me, it was an Odyssey unlike anything I had ever experienced. Despite the enormous 1.43:1 screen, Christopher Nolan and Hoyte van Hoytema’s cinematography brings us remarkably close to the actors’ faces. Through an exceptionally shallow depth of field and elegant pull-focus shots that shifts our attention to the finest details, they relentlessly follow the characters’ anguish and fate. The cast delivers performances powerful enough to withstand every bit of that extraordinary resolution. Nolan’s signature storytelling, with its meticulously interwoven timelines, is very much present here as well. Together, these elements elevate one of the world’s best-known classical epics into an intimate, deep human drama. It was magnificent. When it opens in Japan this September, it will be shown in digital IMAX®, but I have no doubt I’ll be making the “journey back” several more times.

HIDEO_KOJIMA_EN's tweet photo. At the David Keighley Theater, I watched Christopher Nolan’s “The Odyssey” (shot entirely with IMAX® film cameras) presented in 70mm IMAX® film. Rather than simply watching the screen, I felt as though I was there the entire time. It was more than watching it, I witnessed it. The impact was close to what I felt when I was in elementary school student and when I first experienced the “Cinerama” at the “Osaka OS Theater.” Back then, I was used to watching everything on a CRT television, and the sense of immersion was unlike anything I had ever experienced. It brought back those memories. In hindsight, not having Japanese subtitles may have made the experience even better. I already knew the story well, having grown up watching the 1954 Kirk Douglas version and several black-and-white adaptations, but this was an entirely different experience. For me, it was an Odyssey unlike anything I had ever experienced. Despite the enormous 1.43:1 screen, Christopher Nolan and Hoyte van Hoytema’s cinematography brings us remarkably close to the actors’ faces. Through an exceptionally shallow depth of field and elegant pull-focus shots that shifts our attention to the finest details, they relentlessly follow the characters’ anguish and fate. The cast delivers performances powerful enough to withstand every bit of that extraordinary resolution. Nolan’s signature storytelling, with its meticulously interwoven timelines, is very much present here as well. Together, these elements elevate one of the world’s best-known classical epics into an intimate, deep human drama. It was magnificent. When it opens in Japan this September, it will be shown in digital IMAX®, but I have no doubt I’ll be making the “journey back” several more times.

HIDEO_KOJIMA_EN's tweet photo. At the David Keighley Theater, I watched Christopher Nolan’s “The Odyssey” (shot entirely with IMAX® film cameras) presented in 70mm IMAX® film. Rather than simply watching the screen, I felt as though I was there the entire time. It was more than watching it, I witnessed it. The impact was close to what I felt when I was in elementary school student and when I first experienced the “Cinerama” at the “Osaka OS Theater.” Back then, I was used to watching everything on a CRT television, and the sense of immersion was unlike anything I had ever experienced. It brought back those memories. In hindsight, not having Japanese subtitles may have made the experience even better. I already knew the story well, having grown up watching the 1954 Kirk Douglas version and several black-and-white adaptations, but this was an entirely different experience. For me, it was an Odyssey unlike anything I had ever experienced. Despite the enormous 1.43:1 screen, Christopher Nolan and Hoyte van Hoytema’s cinematography brings us remarkably close to the actors’ faces. Through an exceptionally shallow depth of field and elegant pull-focus shots that shifts our attention to the finest details, they relentlessly follow the characters’ anguish and fate. The cast delivers performances powerful enough to withstand every bit of that extraordinary resolution. Nolan’s signature storytelling, with its meticulously interwoven timelines, is very much present here as well. Together, these elements elevate one of the world’s best-known classical epics into an intimate, deep human drama. It was magnificent. When it opens in Japan this September, it will be shown in digital IMAX®, but I have no doubt I’ll be making the “journey back” several more times.

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leeshikii retweeted

1 day ago

fucking fine, ill do it myself. #superboyprime

jtnerdy's tweet photo. fucking fine, ill do it myself. #superboyprime https://t.co/aKq3dySzjA

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Who to follow

Just here chillin || KAGURABACHI SZN

One Piece & Boruto fan. enthusiasts of the best club in the world Barcelona and Lamine Yamal🐐💙❤️

ˢʰᵒ |リヴァハン🛩️🍭

-👓☕ serotonin * | リヴァイ & ハンジさん unbothered midget. 20⬅️

leeshikii retweeted

1 day ago

Quite literally the best year of Marvel and I’m not even joking

jayspectrumX's tweet photo. Quite literally the best year of Marvel and I’m not even joking https://t.co/olh3npigwd

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lee™ @leeshikii

1 day ago

@HobiChuuya genuine question, have you read it?

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lee™ @leeshikii

1 day ago

@BLWorldW @DoomBlazer_ it was enjoyable but the main antagonist drags everything down

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lee™ @leeshikii

1 day ago

@Sh1buyanext @porcelanativa @AlejandroYRodr @swiftlampoonist intent and what actually happened are two different things buddy

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leeshikii retweeted

😴 @DashInSpace

1 day ago

Dawg I’ve never seen this b4 😭

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leeshikii retweeted

Hiiipower - TDE News @hiiipowers

2 days ago

'Spiderman' Tom Holland vibing to 'King Kunta' by Kendrick Lamar 🕸️🐐

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lee™ @leeshikii

1 day ago

@porcelanativa @AlejandroYRodr @Sh1buyanext @swiftlampoonist still not a kill?

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leeshikii retweeted

@bleachdailyazab

3 days ago

New BLEACH illustration by artist Mcflyy for Bleach Art Gallery Los Angeles exhibit ❤️ #BLEACH #TYBW

bleachdailyazab's tweet photo. New BLEACH illustration by artist Mcflyy for Bleach Art Gallery Los Angeles exhibit ❤️

#BLEACH #TYBW https://t.co/XWbKvtAGOB

bleachdailyazab's tweet photo. New BLEACH illustration by artist Mcflyy for Bleach Art Gallery Los Angeles exhibit ❤️

#BLEACH #TYBW https://t.co/XWbKvtAGOB

bleachdailyazab's tweet photo. New BLEACH illustration by artist Mcflyy for Bleach Art Gallery Los Angeles exhibit ❤️

#BLEACH #TYBW https://t.co/XWbKvtAGOB

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lee™ @leeshikii

2 days ago

@EvergreeenMinty @leviteight @cleiton_leitor @CBMCringe holy shit you call that a good joke?

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lee™ @leeshikii

2 days ago

@Ozoon_CA @ComplexPop that movie is R rated so yeah its a big milestone for that film.

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lee™ @leeshikii

2 days ago

@norasburrito dude that's literally so fucking perfect holy shit

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lee™ @leeshikii

2 days ago

funniest ragebait in a bit 😭

E!⁷ 🇮🇷 @bangpout

3 days ago

Her entire character in A brand new day is based and copied from eleven.

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lee™ @leeshikii

2 days ago

@EvilShotCaller @DailyNoud obviously

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leeshikii retweeted

3 days ago

sasuke revela que naruto es su hokage favorito de todos los tiempos

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lee™ @leeshikii

2 days ago

this ones funny because it could happen

DiscussingFish @DiscussingFish

3 days ago

Jon Watts is reportedly set to return to direct 'SPIDER-MAN 5' for Marvel Studios. Targeting a 2028 release. (Source: https://t.co/R16ZNZeb7v)

DiscussingFish's tweet photo. Jon Watts is reportedly set to return to direct 'SPIDER-MAN 5' for Marvel Studios.

Targeting a 2028 release.

(Source: https://t.co/R16ZNZeb7v) https://t.co/Z9UQViiHPW

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lee™ @leeshikii

3 days ago

@MRrex_Jn comparing shit to ass 💀

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lee™ @leeshikii

3 days ago

@Hillsgondecide2 @StellarAvenger exactly

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