We demand BigHit properly protect YEONJUN against all hateful harassment and hate trucks.
#BIGHIT_PROTECT_YEONJUN#YeonjunDeservesBetterTreat#YeonjunWillAlwaysBeLoved#STOP_HATE_TRUCKS_AGAINST_YEONJUN
The sight of Yeonjun's tears at GOCHEOK SKYDOME in 2023 feels like it was only yesterday.
Over these years, Yeonjun has continuously given his all to the team — bearing responsibilities, carrying pressure, and never allowing his personal activities to disrupt the group's schedule.
For Part 01, his very first and most significant solo album, there was virtually no promotion — yet he still delivered results that far exceeded expectations. For the team's Tour, he cut short the recording of music shows and missed out on pre-voting. He sacrificed his health and rest to take on choreography for the team on multiple occasions, yet went uncredited. Silently, he has handled work both on and off stage—recording demos, coordinating stage movement, and more. This year, he even designed and gifted the team a commemorative ring, a testament to his loyalty and sincerity toward both the group and the fans.
We had thought that Part 02 would finally receive proper promotion — a plan that Yeonjun and all his supporters rightfully deserved. What followed, however, were abusive comments on anonymous forums and in the retweet sections of @TXT_bighit from OT4 and Anti-fans, along with protest trucks launched during his personal promotion period. All of this has brought deep sadness and bewilderment.
When Yeonjun's choreography went uncredited, where were those trucks? When Part 01 met with ZERO promotional support, where were those voices of so‑called justice? ? If those trucks were truly for the team, why were they not directed at the company during the glorious moment of a grand slam after the 7th anniversary comeback, rather than during Yeonjun's important solo activities???
We respect every fan’s right to raise reasonable opinions regarding the group's management, and we equally believe that the company should provide TXT with more comprehensive and long‑term development plans. However, the timing of this protest, along with the associated account interactions, looks more like a public trampling of a member's individual efforts — carried out by OT4 and Anti‑fans under the guise of "team interest." A member's personal growth is NEVER the antithesis of the team's growth. Treating a member's own opportunities as something to be restricted or questioned is simply absurd.
We will not remain indifferent to such malice. Going forward, we will continue to support and protect Yeonjun through our actions. We also urge more people to recognize that actions welcomed by Anti‑fans should not be condoned, and that @TXT_bighit@BIGHIT_MUSIC@HYBEOFFICIALtwt , as the agency, should better safeguard the legitimate concerns of fans and ensure the safety of their artists. Open and honest love is always a hundred times stronger than malice hiding in the shadows — we will turn our unity and love into the glory and awards that Yeonjun so rightfully deserves.
@oddatelier
아티스트 권리 보호를 촉구합니다.
데뷔부터 지금까지 제니를 향�� 근거 없는 악의적 비방은 끊이지 않았습니다.최근에는 화보집 사진을 이용해 ���위 루머를 유포하고 가짜 합성물을 제작하는 등 묵과할 수 없는 수준에 이르렀습니다.아티스트 보호를 위해 엄중한 법적 대응을 촉구합니다
@ELLE_KOREA@TXT_bighit Dancing with a waist injury and singing while having a cold at the end of the year must be really hard. I just hope that in 2026 Yeonjun can stay healthy and achieve his dreams. Can Yeonjun promise us that you will take good care of youself?
@ELLE_KOREA@TXT_bighit What kind of dance styles does Yeonjun want to try in the future? I really like Like Jennie challenge.I’m curious whether you plans to try Afro in the future.
@ELLE_KOREA@TXT_bighit I want to know whether No Labels Part 02 will be released in 2026. I’m really looking forward to Yeonjun’s second solo album, as well as a solo concert next year or the year after.
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#Hearts2Hearts#NCTDREAM️#JENNIE#BABYMONSTER
K-MOA tolerated Taehyun going to a club, tolerated Huening Kai hugging a girl late at night. Yeonjun couldn’t even go on music-show stages because of the tour, and when he finally appears on a program to promote the new song, suddenly you can’t take it anymore.