es increíble el concepto que tienen los asiáticos con considerar la propiedad intelectual al mismo nivel que una mercancía física,no es serio llamar robo a leerte un manwha en un sv de discord, además de tenerle TANTO miedo a la ley
@YD20250410 Call it "proud theft" if you want, but look at K-pop: fans who pirated first now fill stadiums. We pay when we can afford to. We want legal stores with regional prices. Ignoring this reality doesn't stop piracy—it just guarantees you lose a loyal, passionate market.
@RaquelJA06@YD20250410 자꾸 뭔 소리야 케이팝은 거대기업이고 작가는 1인 노동자라니까? 플랫폼은 그 작품을 유통해주고 작가가 벌어들인 수익을 회사랑 나누는 것 뿐이다. 이마저도 유통이 더 많이 떼어가. 니네 나라가 해적판이 만연해서 시장에 기회조차 못 얻었는거라고.
Los comentarios de esto me generan una lástima, pobres personas ignorantes, les encanta vivir en su burbuja de victima...
Pero que esperaba de ellas, si ni a los artistas de sus propios países apoyan...
Their biggest problem is that they have such a weak sense of shame around piracy. They don’t see anything embarrassing about loudly admitting they pirate things, and for some reason they especially love bringing it up directly to creators and paying fans, desperately trying to convince everyone that what they’re doing is perfectly acceptable.
Seriously, people who genuinely don’t give a shit and just pirate stuff aren’t doing all this. They pirate it and move on with their lives.
At the end of the day, anyone spending hours online arguing, “So what if I pirate? It’s because—[insert a 30,000-word autobiography explaining every excuse for their miserable life]” clearly cares way more than anyone else about what people think of them for supporting piracy.
That’s the funniest part. For all that arrogance, they’re incredibly insecure about it. LMAO.