-😶‍🌫️-

(Jingです。)無言フォローすみません。

[-😶‍🌫️- @letmeflyyy___]

@potapota1230 銀行カードを登録したら、あとは支払い用のQRコードを見せるだけ

[𝑨𝒘𝒂𝒓𝒆 𝑨𝒏𝒅 𝑨𝒘𝒂𝒌𝒆 @More_Twilight]

【尋找門票】

2026.10.18 (日）
Fear, and Loathing in Las Vegas ONE MAN SHOW in Taipei
台北·Clapper Studio

一般VIP都可以，如果還有剩下的，請給我。

#Falilv #台湾 #Taipei #clapperStudio

[-😶‍🌫️- @letmeflyyy___]

@miiikuuu918 友達が大阪公演のチケットを探しています。
もし可能でしたら、私に譲っていただけると嬉しいです🙇‍♀️
よろしくお願いします！

[-😶‍🌫️- @letmeflyyy___]

@More_Twilight 私じゃない😂
でも知り合いは香港行く

[-😶‍🌫️- @letmeflyyy___]

@Unka_In_Dream 16:8 ファスティング！

[-😶‍🌫️- @letmeflyyy___]

@Unka_In_Dream 動画撮るのめっちゃ上手かった

[-😶‍🌫️- @letmeflyyy___]

@gilangdwmny oversea front rows →buy VIP pass or you line up 8am in the morning, rarely you have to pay extra for front rows, unlike if I’m going to Japan and lose a ballot, I pay extra on ticket jam

[-😶‍🌫️- @letmeflyyy___]

The bands I follow rarely do shows in Australia, so I go to Japan to see them. And if they come to Australia, I’m definitely not missing the chance. Simple as that...

[NANO-ナノ-OFFICIAL @nanonano_me]

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏

If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets.
There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally.

Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any.

It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside.

More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist.
I’m not trying to ask for pity, nor demand anything, unless this resonates with you.
But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple.

Please go follow artist’s socials.
Please go subscribe to their Youtube channels.
Please find them on Spotify.
Please interact with them by commenting and letting them know you’re there to support them.
Please share your passion with the people around you.
AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage.
I am not exaggerating when I say it IS a miracle and it might never happen again.

I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation.

Thanks for listening, if you made it this far🫶
Let’s keep Rocking On.
NANO

[-😶‍🌫️- @letmeflyyy___]

@miz04095 🙆🏻‍♀️

[-😶‍🌫️- @letmeflyyy___]

@miiikuuu918 京都1枚あるよ

[-😶‍🌫️- @letmeflyyy___]

@PKvocalist Legend, thanks for coming 🫶🏻
Hope to see PROMPTS back in Australia again soon!

[-😶‍🌫️- @letmeflyyy___]

Hope whoever has him takes good care of him🙏🏻

[らうみ @kwnsask]

ヘイちゃん、絶対ダイバーなしなんて、こりゃ前進だ！！
と、珍しく上手へ。しかもお友だちの横にたどり着いた。
楽しかったーーー！
カワウソくん、前のキッズが手渡されてた🦦

あと、ずっとアイドル並みにキャアキャア言うてる姉やんの声は、ちょっと耳痛かったな🙉

[-😶‍🌫️- @letmeflyyy___]

@hki0000013 抽！我私信你

[-😶‍🌫️- @letmeflyyy___]

8/19 🦈とヘイ被ってる
Which one should I go…..

[-😶‍🌫️- @letmeflyyy___]

@hki0000013 先抽了再说

[-😶‍🌫️- @letmeflyyy___]

@99_kuku_04 大分一枚余ってます！

[-😶‍🌫️- @letmeflyyy___]

@ombre_official 女性としても、デッドリフトは本当におすすめです。(フォームが正しいことが前提で