“…a killer original score by Logan Nelson. Throughout various tunes, the jaunty orchestral compositions wouldn’t feel out of place in a Bond film, or the opening credits of the next “House of Cards.” the music is another layer of artistry that elevates the film…”
1. OK..<EPIC THREAD> on making the Prowler 'Elephant' noise for #Spiderverse and other ELECTRONIC NOISES. I did some sessions with a good friend of mine Brian Dougans who has an amazing collection of electronic gear. You might recognise this sound...
Latest #WeeklyRecommendation - PLAYING TO SURVIVE, music by Logan Nelson (@lgnnelson)
"...[the score] reflects [a] resilience of character...the conclusion of the album is particularly notable for it’s emotional qualities..."
https://t.co/tTuJnTGyd3
'Elizabeth Taylor: The Lost Tapes' Review: A Legend Opens Up in Nanette Burstein's Engaging HBO Doc Based on Rediscovered Audio ... https://t.co/l7LBj3nmHC
Cannes Classics: Ron Howard & Faye Dunaway To Debut New Films In Stacked Lineup Featuring Wim Wenders, Costa-Gavras & Tom Rothman https://t.co/qwvfTftpXJ
The genius Carter Burwell (who I had begged to work with for no less than a decade, after dreaming of it for much longer) wrote a score that is much more than just a score for #catherinecalledbirdy https://t.co/fTPzystBbu