Creator of Claude Code:
“Fable 5.1 is writing 100% of my code now. It’s at least 3x more powerful than Opus.”
Every problem I gave to Fable, it one-shotted. I’m running out of coding problems for it.
in 40-minute talk Boris explain how to unlock 100% potential of Claude new models
Fable 5.1 + loops + dynamic workflows + routines- that’s the secret
Worth more then 500$ vibe-coding course
A GIANT RED BALL CHASED TWO WOMEN DOWN A WATER SLIDE AND ONLY ONE MADE IT TO THE POOL
99k likes. 5411comments. 22 seconds.
made with seedance 2.5 → https://t.co/oAecDrYjMW
a game show at night, stadium lights, crowd in the stands. a huge red ball drops onto a wet white ramp and two women in swimsuits sprint ahead of it. the one in black slips and goes down to the side, the one in blue dives off the end into the pool just ahead of the ball, surfaces through the spray, swims to a bamboo platform with a bell and climbs out
why it works:
→ the camera faces them head on from the bottom of the ramp, like a broadcast camera at the finish. the ball fills more of the frame every second, and that growing size is the chase
→ the ball rolls the way something heavy rolls: it throws up water off the ramp, picks up speed, and the runners never pull away from it
→ the race has a loser. one runner falls and the ball keeps going. a moment where something goes wrong makes the rest feel unplanned
→ the splash covers the cut. a wall of white water fills the frame, and when it clears we're at water level with her surfacing
→ the show lighting is hard and even: floodlights, a dark sky, bright wet skin. it's built to look like tv, so it reads as tv
the takeaway: make the threat grow in frame. size changing every second is more convincing than speed you have to imagine
single-event shots like this are what seedance 2.5 does best, and you can run it inside @Picsart