YeBa🎬 (Belongs to AMP 💛)

Director of Photography, Colorist, Film Nerd. FireFace Films

[YeBa🎬 (Belongs to AMP 💛) @lightface71]

DOUBLE SHOT IS HERE! ITS HERE!! GO WATCH IT!!! But...beware...the extended cut will be coming soon.

"Double Shot" - IB Short Film https://t.co/C5DmQXXChK via @YouTube

[Ruckuss 🔞 @xXRuckussXx]

RE Requiem es literal RE6-2 cuando juegas con Leon pero la gente no quiere aceptarlo por que los condicionaron mentalmente a odiar todo lo referente a RE6, como esclavos sin voluntad...

[YeBa🎬 (Belongs to AMP 💛) @lightface71]

@MoonaJoona @CryptidKing2009 Us looking in your brain

[YeBa🎬 (Belongs to AMP 💛) @lightface71]

@ellienotnora If that were the case, it would be rated R for sexuality, not nudity. Someone is probably hanging dong

[YeBa🎬 (Belongs to AMP 💛) @lightface71]

@vashikoo What was the accompanying print? That’s just as important!

[YeBa🎬 (Belongs to AMP 💛) @lightface71]

@gothtouya The steadicam/dolly/crane shot/handheld camera would like a word…

[YeBa🎬 (Belongs to AMP 💛) @lightface71]

@utdkvngz There are more levels to cinematography than “omg big wide shots 😍”.

[YeBa🎬 (Belongs to AMP 💛) @lightface71]

@awoodustin Look up Steve Yedlin. He proved that digital can be made to look 1:1 like film. Film vs digital is nothing but an argument of two capture mediums. Neither is inherently better and can look good or bad in certain hands. (I am both DP and colorist btw)

[ẄØŁƑƑƐ 🐺 @LothWolffe]

Resident Evil (2002) had tons of shots that emulate the fixed camera angles & did it intentionally (confirmed in the commentary).

[YeBa🎬 (Belongs to AMP 💛) @lightface71]

@Minecraft2sex Very fair point, but I think it could be very interesting/funny for later variances to be all of the janky masks that have popped up throughout Halloween history like the CGI one from H20, or the pink skin/blond hair from H4. They could also do the different coveralls!

[lady grinning soul 🗡️ @roxiethepixie]

And y’all proved him right. Didn’t even give ballet and opera fields a much needed surge. Nasty

[big chems 🪲 @swervesbigballs]

☹️☹️☹️☹️☹️☹️☹️

[Smash Bros Initiative @SmashAssemble]

“Above all, do not lament my absence. For in my Spark, I know that this is not the end. But merely a new beginning. Simply put, another Transformation.” ~ Optimus Prime

Thank you Peter Cullen. RIP

[YeBa🎬 (Belongs to AMP 💛) @lightface71]

@artwithinpod We got a weekly planet enjoyer on our hands

[Movie Addict Matt @MovieAddictMatt]

It’s not too late @BestBuy. Admit you were wrong and bring back blu-ray/4K movies. People will actually come back and shop in your stores. Impulse shopping will be a thing again. Nature will heal and eventually we will all forget about the stupid, STUPID, decision of the past.

[YeBa🎬 (Belongs to AMP 💛) @lightface71]

@panasonicyouths I’m waiting for Rodney

[Eric Goldman @TheEricGoldman]

What if I told you you can enjoy low-budget quirky indies and ALSO super gory and vicious horror films and ALSO grand auteur-guided epics and ALSO low brow comedies and ALSO big budget superhero crossovers? And you didn't have to pick a side and just be open to any kind of movie?

[Jon Thompson @JohnnyFocal]

How do you work that out? The full-height IMAX format is 1.43:1, and only a relatively small number of digital IMAX venues have the dual-projector GT Laser system capable of presenting that full frame. Most digital IMAX installations are limited to 1.90:1.

As someone who was loosely involved with digital IMAX, I can tell you that it was developed around a series of compromises. GT Laser is the closest digital equivalent to 15/70, but it is not the same thing. It can reproduce the 1.43:1 frame, but it does not reproduce the full resolving character of a properly photographed and projected 15-perf 70mm print.

Its contrast performance is also nowhere near Dolby Cinema. Dolby Vision cinema projection was specifically developed around extremely deep blacks and very high dynamic range, commonly described by Dolby as delivering contrast in the region of one million to one. IMAX laser improves substantially on earlier xenon digital IMAX, but it does not operate in that same contrast class.

A carefully produced 15/70 presentation on premium print stock can also produce exceptionally rich blacks and a very wide tonal range, although it is misleading to reduce film to one universal contrast-ratio figure because the result depends on the print stock, laboratory timing, projector, lens, screen, auditorium and stray-light control.

More importantly, IMAX is not merely about “seeing more picture.” It is an immersion format. The tall frame, enormous screen, projection geometry, steep seating and proximity of the audience are designed to fill the peripheral field of vision and place the viewer inside the image. If you reduce IMAX to a comparison of aspect ratios or visible picture area, you have misunderstood the fundamental purpose of the format.

[Mayor Zohran Kwame Mamdani @NYCMayor]

Benjamin Netanyahu is a war criminal.