If you need to partner with AI to get a greenlight on your project, it ain't worth it. I know it's super frustrating out there rn but nothing makes replacing your peers with automated garbo justified. Nothing. We gotta hold the line on this one or we're f*cked.
I have been working on my first original comic!
it is called AETERNUS, and it will be a 72-page complete story in full color. 🌼
I will be releasing it for FREE on May 20, two days from now, at this time.
I hope you will look forward to it! I worked very hard preparing this...!
If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏
If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets.
There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally.
Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any.
It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside.
More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist.
I’m not trying to ask for pity, nor demand anything, unless this resonates with you.
But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple.
Please go follow artist’s socials.
Please go subscribe to their Youtube channels.
Please find them on Spotify.
Please interact with them by commenting and letting them know you’re there to support them.
Please share your passion with the people around you.
AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage.
I am not exaggerating when I say it IS a miracle and it might never happen again.
I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation.
Thanks for listening, if you made it this far🫶
Let’s keep Rocking On.
NANO
#PoppinPlayKitchen has officially been greenlit for sequel episodes! 🌼🤩🎊
Thank you everyone for all the love and support you've shown our little webseries!
We couldn’t have done it without YOU!! 🙏⭐️
The ‘Gameoverse’ pilot is dedicated to late ‘RWBY’ creator and animator Monty Oum, a close friend of RubberRoss.
Ross says Monty inspired him to create the series a decade ago, and after his passing, he promised to one day see it through.
HERE WE GO - I am very proud to announce that an animation studio based in Thailand has acquired the rights to my movie. They are called "The MONK Studios", are based in Bangkok, and are passionately pursuing a way to make this discarded film a reality.