A new issue of @liquidblackness, guest-edited by Sybil Newton Cooksey and Tashima Thomas, presents "Afro-Gothic" as an aesthetic and theoretical framework for understanding. It includes essays, interviews, a playlist, and a roundtable. Read it for free: https://t.co/wqXputpIV4
Just read the excerpt of fahima ife experimental essay series, Grief Aesthetics, in @liquidblackness and I feel like I was just hugged. https://t.co/ydTldhQE75
VIRTUAL LECTURE TODAY! 4-6pm "The Liquidity of the Black Arts" is a public colloquium presented by our very own @AleRaengo, a Paul Mellon Senior Fellow at @ngadc
https://t.co/cBdSF20txB
DEADLINE APPROACHING... #liquidblackness 7.2 CFP “Suspension”
An invitation to consider suspension as a theoretical and methodological pivot, a relay, a pause, or a *sigh* (see @BlackPostBlack “What Time Is It When You Are Black?")
https://t.co/cuB3wucPK1
@DukePress
"Atonal Symphonies" also featured essential contributions from:
Kevin Jerome Everson
Grant Farred
Michael Boyce Gillespie
Charles “Chip” Linscott
@NewBlackMan
Marina Peterson
James Tobias
@uddinlisa
@blacklikewho
"Atonal Symphony: Movement I," selected audio recordings of "Atonal Symphonies: Conversations on Blackness and Liquidity at the Threshold of Thinking and Making" (Sept 16-17, 2021)
https://t.co/8o1NwqDVtp
"Atonal Symphony: Movement I" features (in order of appearance):
R.A. Judy
@EkowEshun
Fred Moten
@jgwcomposer
Sampada Aranke
Calvin Warren
suné woods
@wmuyumba@tbirdinflight
🚨New CFP!!🚨 #liquidblackness issue 8.1 *Informalisms* asks "If 'form' is a way in which art knows itself to be art, then how does black art know itself? And how does it know that it knows?"
https://t.co/ekY7SedhF7
@DukePress
X = Object love + art of blackness criticism ≅ disassociate, distend, demand, refract, rejoice. Solve for X in no more than 1000 words.
The 21st transmission of b.O.s, edited by @Mboycegillespie & @uddinlisa, is LIVE on ASAP/J now.
https://t.co/rmepvgUH6L
Submit to #liquidblackness editors @AleRaengo and Lauren McLeod Cramer's @caavisual session "MUSIC VIDEO AS BLACK ART" inspired this conversation between @NewBlackMan and @urimac731
https://t.co/R5gD1PHRXy
CFP: https://t.co/Ag1bwIEwTO
How to Submit: https://t.co/Xwio9NG8jM
X = Object love + art of blackness criticism ≅ disassociate, distend, demand, refract, rejoice. Solve for X in no more than 1000 words.
The 19th transmission of b.O.s, edited by @Mboycegillespie & @uddinlisa, is LIVE on ASAP/J now.
https://t.co/rmepvgUH6L
Find out more in my new essay/interview with Blount Moorhead in the liquid blackness journal of black studies and aesthetics published with Duke University Press—it’s free! https://t.co/tkXWDzk7Ie
You’ve heard of the Harlem Renaissance, but what about Baltimore’s Black Arts and Image Renaissance? Baltimore is home to film artists like Elissa Blount Moorhead, Bradford Young, Terence Nance and countless Black art and culture pioneers.
A recent issue of @liquidblackness, "Aesthetics," edited by Lauren McLeod Cramer & @AleRaengo, is out now. Start reading for free here: https://t.co/Nz2zU3qUYR