LB

[David Hundeyin @DavidHundeyin]

Since we're gushing about Benin and its amazing roads, let me inform all of you that Patrice Talon is currently in the process of approving the sale of a part of Benin to a consortium of billionaire racist bros led by Peter Thiel, for them to build a private sovereign city with its private own laws and police, which will not be subject to the laws of Benin or the African Union.

It is called Prospera Africa and it is meant to follow the template of the same project funded by the same people in Central America called Prospera Honduras. If you Google what Prospera Honduras uses its sovereignty to do, you'll see the commercial investment into it is primarily for the purpose of "Biotechnology", i.e drug testing and human experimentation that would be extremely illegal anywhere there is an actual government.

These racist billionaire bros are trying to build a sovereign colony in Benin where they can legally experiment on Africans and do whatever other Epstein Island activities that eventually got them into a dispute with the government in Honduras. It's called Prospera Africa. Google it, it's not hard to find.

Take this very seriously. It is not something a little birdie told me - I myself almost ended up working on this project a couple of years ago before I started to understand what it was and who was behind it.

When you're done congratulating Patrice Talon for his smooth roads, please beg him not to give Peter Thiel an Epstein Island in West Africa for Elon Musk's friends to legally use Africans as live experiments.

Thank you.

[Biggest Mack @Big_Mck]

Na so. Make una dey enjoy jaree, no be una send people make them mumu.

People wey don collect update, cash out, before them throw am open to latest “shareholders” wey full everywhere for Nigeria now dey calculate how much them wan make in the coming years.

[LB @litbeg]

@DavidHundeyin As the war for Africa's freedom is fought there will be bystanders and critics with neither the courage nor the knowledge required to act. You must ignore them. They are lazy. They are cowards and ultimately they are irrelevant and posterity will forget them.

[LB @litbeg]

@frostchris_25 https://t.co/8Ht5sPEGcK

[LB @litbeg]

@DavidHundeyin As the war for Africa's freedom is fought there will be bystanders and critics with neither the courage nor the knowledge required to act. You must ignore them. They are lazy. They are cowards and ultimately they are irrelevant and posterity will forget them.

[LB @litbeg]

@DavidHundeyin As the war for Africa's freedom is fought there will be bystanders and critics with neither the courage nor the knowledge required to act. You must ignore them. They are lazy. They are cowards and ultimately they are irrelevant and posterity will forget them.

[LB @litbeg]

@DavidHundeyin Truth speakers and Revolutionaries are almost never embraced by their Societies when they're alive

[LB @litbeg]

Fela was way ahead of his time. He was a seasoned artist who understood that music is political and used it to speak the truth of Pan-Africanism. Today's retards of artists who only care about lining their pockets with dollars could never lace his shoes.

[LB @litbeg]

Fela was way ahead of his time. He was a seasoned artist who understood that music is political and used it to speak the truth of Pan-Africanism. Today's retards of artists who only care about lining their pockets with dollars could never lace his shoes.

[David Hundeyin @DavidHundeyin]

This is how history gets incrementally rewritten because nobody pushes back on narratives like this.

In reality, no generation in Nigeria ever actually "listened" to Fela. At NO point was he ever embraced by Nigeria's western-educated classes. He was always an outsider and a rebel that they treated with suspicion or outright hostility. Even the wealthy or educated who liked him had to literally hide to do so. His music was (and to the best of my knowledge still is!) banned from radio nationwide, and it eventually got to the point where he made less money in Nigeria - his primary audience - than outside it.

I grew up on a street where a few houses away was Air Vice Marshall Funsho Martins, across the street was Governor Ita Ikpeme, around the corner was Fidelity Bank MD Reginald Ihejiahi, and so on. These were the people I would often overhear having conversations with my dad, and to them, Fela was an "amugbo boy" (weed smoking loser) and community penis who used the guise of African pride to cover for his lack of personal discipline. They had no respect for what he stood for, and I personally was not allowed to listen to Fela's music while I lived under my parents' roof.

Fela was never loved by the people who were politically aware or active in Nigeria. The only people who wholeheartedly embraced Fela were the poorest and most powerless. And even at that, they lacked the education to fully understand his message beyond simple complaint and criticism of the Nigerian government. All his words about colonialism and imperialism flew completely over their heads. It was like explaining the International Space Station to someone who has never seen an internal combustion engine before.

I hate the narrative that Nigeria ever truly embraced Fela or his message because that is a laundering device for Nigerians to avoid asking themselves what on earth was so important about that message that a military government invaded his house, raped his wives and killed his mom, while the global "human rights" yappers provided cover for that government and never sanctioned them for it.

Saying that there was a generation that "listened to Fela" is an easy and disingenuous way of dismissing Fela's work and refusing to examine what made it so important that we're still talking about him nearly 3 decades after he died.

[LB @litbeg]

@DavidHundeyin Fela was a Pan-Africanist in the truest sense of the word. His art exemplified this. He was way ahead of his time. And like all Pan-Africanists who have at some point in their history been ahead of their times(i.e spoken the truth)...society shuns them.

[archivi.ng @StartArchiving]

In 1976, Nigerian journalist Sam Ogun confessed to DRUM that he had spent nearly 10 years spying on Nigeria for the CIA. He also warned that many other Nigerians were being recruited to infiltrate different sectors of the country.

He told the magazine, "The CIA has so many arms or branches — trade union organisations, educational institutions, cultural organisations. The CIA is the father and through these organisations which are sent to Africa to help developing countries. The agents or officers of these organisations use their organisations as covers to spy for the CIA."

Ogun said Nigerians could be recruited without knowing it, benefiting directly or indirectly from development programmes run by organisations he claimed were linked to foreign intelligence networks.

"You don't apply to be an agent or spy. You are spotted, trailed, and an assessment is made of you without your knowing," he said.

His own career as a spy began in the early 1960s, when he worked as an "information officer" for the American Motion Picture Export Company. An American film distributor known as Jack paid him to write reviews of foreign films for local newspapers, which were then forwarded to New York. Ogun said that was how he was first placed on a payroll.

He later confessed to spying on foreign diplomats, trade unionists, civil servants, students and fellow journalists. He said he was trained to use a camera and a pocket-sized tape recorder designed for espionage.

Ogun eventually retired from spying and explained his decision to confess: "I found out by myself the evil the CIA had been doing to Africa."

[Sir Chief Honorable Odionwere Lawrence @EkunweL]

They say it themselves 🤣🤣🤣 but if I say it, then I am a conspiracy theorist.

[Uncharted🦇🔊 @JonahJosemaria]

You guys at the @Spearhead_Af are leading a revolution, took me a while but I eventually figured the end game for @DavidHundeyin was never to save Nigerians but enlighten Nigerians enough for them to save themselves

Save Nigerians today and you have a repeat of what happened after independence a nation without any shared struggle or ideology to unite them against the impending doom, they’ll kill one another before you can rally them together

But allow them bleed together as comrades in arms for their own freedom and watch that struggle birth a nation heavily united and prosperous in that it knows their very survival relies on it!!

[Abu The 𓃵 @Abu_The_Truth]

And who else is remaining?

[LB @litbeg]

@DavidHundeyin https://t.co/8fuGDqYA9G

[LB @litbeg]

They're all coming out of their woodworks to attack this report. This report is literally a litmus test for you to tell those of them who are directly and indirectly on the US state department payroll

[LB @litbeg]

@DavidHundeyin We will make it happen in our lifetime. It is only a matter of time.

[David Hundeyin @DavidHundeyin]

When (I said "when" not "if") Nigeria has its Assimi Goita/Abdourahmane Tchiani moment, the metric for measuring who deserves freedom and who is sentenced to a lifetime of repaying debt to society by digging gutters and harvesting onions in chain gangs will be very simple:

Did you earn your livelihood at the expense of those around you? Did whatever put food on your table play a role in taking food off the tables of your countrymen?

If the answer to these questions is yes, then the severity of the 'yes' will determine whether you get to spend the rest of your productive life mixing concrete and lifting head pans for national development projects, or you get to face instant judgment from the mouth of the ultimate metal truth.

[LB @litbeg]

@DavidHundeyin We will shut all traitorous industries aimed at subverting African's Sovereignty and it will be beautiful.

[David Hundeyin @DavidHundeyin]

If the Nigerian Ministry of Foreign Affairs sends representatives to go to the US and sign partnership and sponsorship agreements with American musicians, publicists, entertainment lawyers and journalists, whoever signs such a deal will spend 5 years in federal prison for violating the Foreign Agents Registration Act (FARA).

In Nigeria, the US equivalent of the MFA (US State Department) has been doing exactly the same thing for the past 2 decades, embedding itself all over Nigeria's cultural and media spaces, and the natives involved are rather basking in the glow of being the "special selected few" chosen by Father Christmas Hamirikkka.

Nigeria has no FARA, so it is an open highway for anyone to come in and do as they please. The energetic, actively-consenting, long-suffering ashawo who always gets robbed by her clients and never gets paid, but who thinks enduring abuse from white men is a badge of honour, so her legs never close.

When that revolution comes and you see people like Osi Suave facing summary execution alongside your Aisha Yesufus and Yemi Adamolekuns, and all your celebrity artists immediately disappear into exile, don't even waste your breath shouting about "dictatorship" and "human rights" because you sef go collect.

This ashawo industry will end one day.

[LB @litbeg]

They're all coming out of their woodworks to attack this report. This report is literally a litmus test for you to tell those of them who are directly and indirectly on the US state department payroll

[The Spearhead @Spearhead_Af]

Afrobeats And Its Links To US Secret Intelligence

Have you ever found yourself wondering why Afrobeats - the joyful soundtrack to the "Africa Rising" era from the late 2000s through the early 2010s - seems to have lost much of its energy and lustre of recent? Does it seem to you like the music no longer belongs to the fans and has become a distant, expensive product that nobody can relate with anymore?

You are not imagining it - in fact the reality of what has happened to Afrobeats is a lot darker than you would possibly imagine. Far from just a fresh music genre that embodied the sounds and aspirations of a new generation across the continent, it has been coopted into the arsenal of the US government's extensive foreign influence and interference tools. In fact, your favourite Afrobeats artist, as incredible as it sounds, most likely now has a handler permanently assigned to them by the US State Department.

In this special report, The Spearhead Senior Reporter Mckay Chukwu examines a story that has been hiding in plain sight for years, detailing the State Department's well-funded cultural interference infrastructure which has been deployed all over the Global South to bend entire populations and their governments toward the foreign policy goals of the US government.

[The Spearhead @Spearhead_Af]

Afrobeats And Its Links To US Secret Intelligence

Have you ever found yourself wondering why Afrobeats - the joyful soundtrack to the "Africa Rising" era from the late 2000s through the early 2010s - seems to have lost much of its energy and lustre of recent? Does it seem to you like the music no longer belongs to the fans and has become a distant, expensive product that nobody can relate with anymore?

You are not imagining it - in fact the reality of what has happened to Afrobeats is a lot darker than you would possibly imagine. Far from just a fresh music genre that embodied the sounds and aspirations of a new generation across the continent, it has been coopted into the arsenal of the US government's extensive foreign influence and interference tools. In fact, your favourite Afrobeats artist, as incredible as it sounds, most likely now has a handler permanently assigned to them by the US State Department.

In this special report, The Spearhead Senior Reporter Mckay Chukwu examines a story that has been hiding in plain sight for years, detailing the State Department's well-funded cultural interference infrastructure which has been deployed all over the Global South to bend entire populations and their governments toward the foreign policy goals of the US government.